![]() ![]() |
![]() |
|
UFDC Home |
| Help | ![]() |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
||||||||||||||||||||||||||||||||||||||||||||||||
Full Citation | ||||||||||||||||||||||||||||||||||||||||||||||||
![]() ![]() ![]() ![]()
|
||||||||||||||||||||||||||||||||||||||||||||||||
Downloads | ||||||||||||||||||||||||||||||||||||||||||||||||
Full Text | ||||||||||||||||||||||||||||||||||||||||||||||||
IIiP lHi'I 1 1 i :P) l(1 G 1itcr Hall lli ll II i lca 1- !I IT'. I F '- .. itl l, F UNIVERSITY of UFIFLORIDA I)SR-1 Sponsored I'i,.'.CLs' ApproiAl I I.inM Primal in'j hit .r Jason Steuber PllipltP1teinI. OE t I? '.i P C .,. i 1 1 Irpainrnt: __ __ Cnallge: Ham Museum of Art C(urrnt ILPN#: I D ioL., Projec lille.: .excc f onnc-Fhn f-oyi dj Cc I --c-+ic--- If Known: I-ut ndIn %enLi' IMLS (Institute for Museum and Library Services) PeopleSon Proposal #: I )p: N c (.atienr: Rewrarch IF/Dtpl Plr on il discus" -pplicaion renewall Iraining jname/phamc.ernlaill; PeopleSoft Project #: 4 Itu'tio.mion l.rei, KICv iril 0 Ullfr -- Postmark R1 Receipt E Niio l( iili' [ri O allr ,cell: 275.9672 la I(It ''llI"ii. I i alisill Mlices public service. -- 02/01/10 luger l[)lept 11) i:n-rence I tn I email: kharvey@ham.ufl.edu D-e: 02/01/10 Clecr all tiail 1iipl;: 1\i No Pending \Applicalinn M'ailing Jlitruelionis: [] (cint.gov Sllii.uiii Subjels Ri (ti Hl Mail O()riinal an.d Cires ti, D Other Electronic NSvttm iinial Suheis lA( i ] F________________ E dEi kRe.onhm.inAi Ilt % RNA ] Other (eruig hi Hliih.tiard- 0 [ Firal (lass IMail 'IT C;. .T il ; h ir5e I anI ,i ili I t I 1'l ii|ojl ul!ci I __ Fax to: 4 m11l iariinl. if r s.omplcl thr fiiluiisingi C E.mail POF Wr, % anditaors: S 31 S __% AtItach the required roil hare Ielleter and agfenct guikeinnes E ROIe2S% hrak t. PI olunlan C(nomnitle&d: S .Ltach the "Dran'g Approe.l" I hitter I nlleral Only (no mailing, ID1%R I rt) DM1 SUl ff Ic ved action Date iFedF.E Account \umnlrTl %iutlitple IPrincipal Tinll restialir Projees~: 1-ol dhI Ce i C1,- IC desig natcJ as a. LLI MuiPl Pl Projec I II l-ed Fl share' the i espitOsibilit s tor dJirec lig atnd rinarngui;i pin.i i: I .iIitt' Ct il.t' % ]lh I', I ti t [ ; :1l % r i L iint ) I I F L .1 ld' I (t ii it t I P ill b It l e siponil lle to Li i I 4s K OI c mn i. nical lons C t sel\ It'i l i tl 11 s Ln rivtIrStv- Officials anri d lie pi 1 -ik ; Princip'lli nt I iestli:riir l* Fidorstement : MB e .triai belol I tL .taree per ortr t h i e i iork ulid mniallua' the prorofect in acLuedalil willth nivCIsn and Sponsoi policit':, le l p[ itC ,itL I tnvrel' igIilna rlI \ oIrltine Statcnarint ai Repilirtet I Federal Regulatinn: Investiialoi S). hm mgiun Ithis ISR-1 fIrmni. Iutin celrtll that I I Fhe i nt rMraiirti} ,l Ihiiile,d V IliIi iilie' .lpil dltlLl1' II E1it! Ci C11pl ii aCId E L 'Lictii k iL LJ bl'e l C lille l" knossledge I1l1 that .iv lu isc. tllt ti r t rfILai:dUlen .tlLsttFlrneril i t ms Iin i mav si subj ect the lInvesllt i tll i Is o i f iitim. t is I tit JJIlj 1 L lsj .I1I%' l JI l. 1IIL i5 Jii ) [1I. l 1 11Ir li'cip).l i\ 'ligalt f ) ag e f LL) rc t'lc pl rek nnliilb lii r pli L tileondiicnti lduc I t [ii 1 ile proue t a.l t i proe ide the tcquiidJ 111i, C'-l iti, Li l it5 hll1. I til11 I1 1 l I 1 'J lll 15 ,11 Ij (lc(d uIs A1 I w ll I ll 1llW i I|'|1 l lfloI1r I liV 'l ll r Iit tit ll -'lTllT ll: 1hl, iirLtL'l h'L i l b,'ili le ICiw'ct d l Irl ol' icals. whlSC .sigililttitcit l aippiell Io W .isr the ir arc satiYied I th t ll l i l, intl, i lk i ili [ li p[I 'i'l Ill vl r' e ,1: Ld I li pLiTl 'l 11 1ll1d fl i l .111 11i lltII ,us hd tltJhi.llll ttiliSn d s- ll4 d her in ait c ci ep.' tili le Ildit're ( nl r DIisril'utioni : l1.i pon I kl'i.pi ii t' I ')SK : N i el' .itl A d. ['rincial i llUs Iln loa rta s t!re lisiFtlruC d to use the I tiiL il Reei;k:lrci h ebih-h asked i&A Mliiii, i i il dI't I.'l h, 'lh ilriillL I 0 I, I tlc-'tdJ llldetl [the il i d l l l' 111 i.il lled Ihie P i unOlfl id ll -.'c costs geien illl i l l lu il l 1 l Fat! .l c.a h 11 cIll and i l based illp ln the indirect cu l. t l le I, i L ii1 ii llt .11l timllirK S l d A l ilii e 111d" I l 6.'t' J i4 I IIt_ l L'.1 I ll lint il l) Prinsnil Is lieatiior: (eck here if( unlui 'l E -, ;on Stluber O.tL li1 Coffin Curator of Asian Art i ;!. 3119-5364 i LrrH^ 392-9826 liiAprlAtncil ( hlair: ' I (ill : li f' li -i Other Endoriemetnt 1% here %sredd): ( iilh'ge an: .t.i N i5tr Rebecca M. Nagy c'i] 1i [,i Ham iMuseum of Art 1( AStK Nii V AP'rt I Mnt r Vice Presidleit for Research: IAI I Dis i i l S(I o insorc Re.sci'i It P1lese add addiii iI iml Siginatliuti siteels as n5lweesdid. I )utn H)mC - l i ll D .l.-I Pill i I,'].iihi i 0 il l Office of Research Division of Sponsored Research PO Box 115500 / 219 Grinter Hall Gainesville, FL 32611-5500 Phone: (352) 392.1582 Fax: (352) 392-4400 F UNIVERSITYof UFIFLORIDA DSR-I Sponsored Projects Approval Form nBI- Fn' Milliple PI PronWa oefoali VI Principal Investigator: David Hickey Multiple PI Project: T Yes O No m,, c dcnid ,i i ,,rui blon. Department: Special Collections College; UF Libraries Current UIPN#: (DSR Completes) Project Title: Hellos: Connecting Florida's Asian Collections If Known: Funding Agency: Institute of Museum & Library Services _____ PeopleSoft Proposal #: Type: New ] Category: Research E] UF/Dept Person to discuss Applicaton Renewal ] Traiing ] (name/phonelemail); PeopleSoft Project #:- Continaation ] Extension O Bess de Farber StnApplication Deadline: Supplemental D Clinical Trial D 352-273-2519 Revised O Other* ( U Postmark E Receipt E ]'one Change of Pl D Oter ,.bdefarber@uft.edu Change orpi (Fellowships, patient services, public service, Date: 02/01/10 Change Dept ID [U conference, etc) at 2-- Check all that apply: Yes No Pending Application Mailing Instructions: G] Grantsgov *Human Subjects (iRB) ] [l Mail Original arid Copies. io Other Electronic System *Animal Subjects (IACUC) D L ] (Ham Museum is applicant) El FedEx Recombinant DNA/RNA El Other Overnight Biohazard.s O E O First Class Mail *(If yes, attach the IRB and/or the IACUC approval letter) [ Fax to: Cost Sharing: If yes, complete the following:; Email PDF Yes L Mandatory: S Attach the required cost share letter and agency guidelines ] Release back to PI No 1Z Voluntary Committed: S Attach the "Dean's Approval" Letter u Internal Only (no mailing) (DSR Use) DSR Starr: Received Action Date (FedExAccount Number) Multiple Principal Investigator Projects: For those projects designated as a Multiple PI Project the listed Pis share the responsibility for directing and managing the project in accordance with University and Sponsor policies and procedures The Contact PI will be responsible for relaying communications between all of the Pis, University Officials and the Sponsor Principal Investigator Endorsement: By signing below you agree to perform the work and manage the project in accordance with University and Sponsor policies and procedures. Invesligator(s) Assurance Statement as Required by Federal Regulation: Investigator (s), by signing this DSR-I form, further certify that ( I ) the information submitted within the application is true. complete and accurate to the best of their knowledge. (2) that any false, fictitious, or fraudulent statements or claims may subject the Investigator(s) to criminal, civil, or administrative penalties; and (3) that the Principal Investigator(s) agree to accept responsibility for the scientific conduct ofjtLproject and to provide the required progress reports and the final report if a grant is awarded as a result of the application University Endorsement: This project has been reviewed by the officials whose signatures appear below as they relate to their areas and are satisfied that all faculty involved in the project have agreed to participate and that all obligations and commitments described herein are acceptable Indirect Cost Distributions: Upon receipt of DSR's Notice of Award. Principal Investigator(s) are instructed to use the Office of Research we.b-based F&A Manager to declare how the indirect costs collected under the award shall be distributed. The return of indirect costs generally occurs in the Fall of each year and is based upon the indirect costs collected from grants and contracts during the preceding fiscal year (July I June 30) Principal Investigator: Cpeyk kh.i ifContetl Pl L] f-i f- . NAMF David Hickey DATE TITLE. Associate University Librarian UtD 5692-4100 TELEPHONEO 273-2779 DEPARTM ENT cial Collections Dce air: NAWP Richard Bennett DATE DEPARTMENT Special Collections College Dew: NVit Jdith C. Russell cr.LE UF Libraries DSR- I PDF ( Septemrber 3, 2009) DATE Co-Principal Investigator: NAME DATE TITLE UFIDi TELEPHONE S: DEPARTMENT Other Endorsement (Where Needed): NAME DATE TTLTE: A( AEMiC UNiT Vice President for Research: NAME Division of Sponsored Research DAIE Please add additional signature sheets as needed. JPlN-15-2010 17:20 From:ULF DSR PROPOSALS F UNIVERSITY of UI IFLORIDA Research & Graduate Programs Pre-Award Services/ Proposal FProcessing Shell Romano, Research Administrator, 2 Mail: mr.T5Q37Q0,tfl.edu 219 Grinter Hall PO Box 115500 Cainesville, FL 32611 352-392-9267 352-392-4400 Fax www.research.ufl.edu To: Fam From: Shell Romano Pages:.- (Induding cover) Phone Date: j Re: C ScrC s: pSJjel >r cc-: D Urgent 5 For Review U Please Comment 0 Please Reply Please Recycle * Comments: CI k n)Lm C^ ________________^VZ~feIJAY Fax To:3523923892 P.1/2 3523924400 oq '.. I _.. - JAN-15-2010 17:20 From:UF DSR PROPOSALS 81/15/2810 15:21 3523923892 3523924400 HARN MUSEL P.2'2 To:3523923892 J.1 oUSEUM OP ART Office of th Ofrnr ?7 January 8, 20oo Mr. Brian Prindle Associate Director of Research University of Florida PO Box 115500 Gainesvile, FL32611 Dear Mr. Prindle, The Ham Museum of Art supports the submission of a grant proposal to the Institute of Museum and Ubrary Services for a National Leadership Grant, Collaborative Plamnnin Grant: Level II. The project wil be a collaboration between the Ham Museum of Art and the Digital Library Center, University of Florida Libraries and is titled He!ios ConnectIrg Florida's Asian Colfections. The project continues Jason Steuber's leadership role established in loo8 at the Florida Association of Museums Conference and was reaffirmed in 2oo9 as he was appointed project leader for developing and continuing a group of Asian art curators throughout the state of Florida. Steuber's scholarly research publications focus on collections and collection histories related to Asran art making him the ideal candidate to be the principal investigator for this project. This letter hereby requests your approval for Jason Steuber's participation as Principal Investigator on the project. Sincerely, Ile," a iv$Iq Rebecca M. Nagy. PhD Director W.&flIL at Research iWIrliTVr P .LSW 34th Sare and Hull Road CGsies le. FL 32611-2700 352.3929826 352.392.3 fax w haunuAa I v Helios: Connecting Florida's Asian Collections University of Florida/Harn Museum of Art Abstract Helios: Connecting Florida's Asian Collections planning project, spearheaded by the University of Florida's Samuel P. Harn Museum of Art, continues the strong and established collaboration with University of Florida's Si.ailiier Libraries, in partnership with the Norton Museum of Art, Lowe Art Museum, Morikami Museum & Japanese Gardens, Museum of Fine Arts, Patricia and Phillip Frost Art Museum, Polk Museum of Art, and Appleton Museum of Art. The project team seeks IMLS NLG funding for Phase II of a four-phase planning process for collectively sharing important Asian artistic and cultural assets across the Sunshine State, both physically and virtually, with curators, scholars, museum-goers, K-12 institutions, university and college institutions, and the general public. As the Helios project emerged from panels during the 2008-2009 Florida Association of Museums (FAM) annual conferences, it aligns with goals set forth in the IMLS Connecting to Collections initiative in Florida. Asia, as defined for the purposes of the proposal, follows roughly the geographical areas impacted by the historical Silk Routes via land and sea trade migrations. As such, the region to be included in the grant request is geographically defined as follows: Persia (roughly present-day areas of Iran) in the West; moving eastward to Japan with Mongolia and Korea as the northern boundaries; and moving southward encompassing all areas now known as Afghanistan, Pakistan, India, China, Tibet, Himalayas, ouilicai Asia to Indonesia. This Collaborative Level I Planning Grant requests funds to cover costs related to completing Helios Phase II: compiling a statewide, online, searchable inventory of Asian art and cultural assets in collections of Florida museums. Florida is not a state widely recognized for its Asian cultural assets; however, the number of objects and rare books related to Asian art and culture held by these museums and the UF Libraries exceeds 20,000; and there are future museum partners with Asian collections yet to join the effort. One of the major goals of the four phased planning and implementation process is the creation of an online Florida Asian arts and culture portal, hosted within the University of Florida's Digital Center (UFDC), with attributions for each partner's digital contributions and broad searching capabilities. Costs for Phase II include: salary and travel expenses for a UF Museum's Studies student, facilitation services, laptop, and travel to FAM in 2010 and 2011. The benefits of Helios will be far-reaching since it bridges the physical Asian collections and the digital online presence of these collections. Curators, scholars and educators will, for the first time, have access to centralized searchable records for these collections, enabling future loans of objects, collaborative exhibitions and promotional strategies, improved access for scholarly research and educators in the area of Asian Studies, and most importantly statewide collaborative planning for leveraging extant cultural resources. The Helios project is an innovative and proactive solution to issues museums and libraries are now addressing that center on how to provide open and free access to their content-rich holdings. It will exemplify how to engage new and diverse audiences without borders or barriers to Asian collections in Florida. Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art/ Institute of Museum and Library Services Helios: Connecting Florida's Asian Collections Budget Justification The University of Florida, Ham Museum of Art in collaboration with the UF Libraries respectfully requests $43,816 to support Phase II of planning processes for the Helios project. Personnel Salaries & Wages: In order to carry out the Helios project the following Ham Museum of Art employees will lead the effort as described in the narrative key roles. Jason Steuber, as principal investigator will lead the project using 10% of cost share time throughout the year as necessary to supervise the project. Other Ham Museum personnel include a new position, Asian Art Curatorial Assistant, at 15% cost share. This position is currently advertised as of January 25, 2010 and will be filled by April 30, 2010. Total personnel salaries and wages cost share is $17,090. Sarah Smith, graduate student at the Ham Museum (budget request at 100% or 40 hours per week for the full grant period, totals $33,857) will serve as the primary site visit and data collection lead. In terms of the UF Libraries' costs and contributions, four staff members are participating and two are included in the budget as follows. David Hickey will serve as the Libraries' lead on the project and this proposal requests 1% of his annualized salary and benefits ($745). Bess de Farber will serve as the Helios project planning facilitator for a total of 2.5% ($2,496) of her time which is also a budget request. The total request for the Libraries' participation in the project is ($3,241). These funds will be used for student employment in order to support the roles of Hickey and de Farber as they participate in the Helios project. Travel: The Helios project involves site visits to each of the current and future partner institutions, as well as FAM annual meeting participation to present findings. Details for the proposed visit schedule and outlined travel costs based on single- day roundtrips (RT) and multi-day roundtrips as well as gas, tolls, lodging, and per diem is found on Supporting Documentation pp. 10-11. All distances calculated are based on departing from the Ham Museum of Art, University of Florida, Gainesville, Florida. Sin2le-day trips, no hotel required: Polk Museum of Art 257 miles RT 800 East Palmetto Street Lakeland, Florida 33801-5529 Appleton Museum of Art 82 miles RT Part of Central Florida Community College 4333 E Silver Springs Blvd. Ocala, FL 34470-5001 Museum of Arts & Sciences 230 miles RT 352 S. Nova Road Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art/ Daytona Beach, Florida 32114 Cummer Museum of Art & Gardens 150 miles RT 829 Riverside Avenue Jacksonville, FL 32204-3336 Two-day/one night trips, hotel required John & Mable Ringling Museum 360 miles RT 5401 Bay Shore Road Sarasota, FL 34243-2161 La Quinta Inn & Suites, 1803 N. Tamiami Trail, Sarasota, FL 34234 Rate: $105 per night Museum of Fine Arts 304 miles RT 255 Beach Dr. N.E. St. Petersburg, FL 33701 Hilton St. Petersburg Bayfront, 333 First Street South, Saint Petersburg, FI 33701 Rate: $144 per night Three-day/two night trips, hotel required Morikami Museum and Japanese Gardens 580 miles RT 4000 Morikami Park Rd Delray Beach, FL 33446-2305 Hampton Inn (Morikami rates available), 1455 Yamato Road, Boca Raton, FL 33431 Rate: $159 per night Lowe Art Museum, University of Miami 685 miles RT 1301 Stanford Drive Coral Gables, Florida 33124-6310 Holiday Inn, 1350 South Dixie Highway, Coral Gables, FL 33146 Rate: $127 per night Norton Museum of Art 546 miles RT 1451 S. Olive Avenue West Palm Beach, FL 33401 Hilton, Palm Beach Airport, 150 Australian Ave., West Palm Beach, FL 33406 Rate: $169 per night The Patricia & Phillip Frost Art Museum 690 miles RT Florida International University 10975 S.W. 17th Street Miami, FL, 33199 Best Western, Miami Airport West, 3875 NW 107th Ave., Miami, FL 33178 Rate: $140 per night FAM hotel cost estimated at $150 for one night for UF Libraries' team (3 rooms) (city not selected yet for Fall 2010 as of January 2010). The total hotel costs for site visits is estimated at $1439. The total hotel costs for the FAM planning session is $450. Therefore, the total hotel costs for the entire Helios project is $1,889. Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art/ Rental car UF has a state contracted rate of $28.95 per day. The total number of car rental days required for the Helios project is 24. This will allow respective round trips for current and future partner institution site visits and for the UF team for in-state travel to FAM Conference. The total rental car cost for the Helios project is $695. Tolls The state of Florida has multiple turnpike and local highway tolls and this cost is estimated at $100 based on experienced travel to the east coast and South Florida. Fuel The total roundtrip miles to respective current and future partner institution site visits (including limited local travel) is 4,100. Based on national transportation statistics, the average automobile miles per gallon (MPG) is 22. (http://www.bts.2ov/publications/national transportation statistics/html/table 04 23.html) The average Florida price per gallon for fuel is $2.90. (http://www.eia.doe.2ov/oil gas/petroleum/data publications/wrgp/mogas home page.html) Therefore the total fuel use for 4,100/22 is 186 gallons; and 186 at $2.90/gallon totals $539 for fuel. Per diem Meals Per diem at UF is $36 a day. At 20 days for $36 (full travel days) and 4 days (partial days) are calculated at $12 (one meal travel day). The total for per diem meals is $768. Supplies & Materials: The Helios project, with all its required site visits, has included a budget request for $1,948 for purchasing a Dell Precision M2400 laptop, based on the e-quote received from Dell. It has the necessary software, memory and technical specifications to manage the data collection, as well as accessing online materials, for this project, per evaluation and recommendation by UF Libraries' Digital Library Center (DLC) staff. In order to support the Ham Museum of Art's student during the estimated 11 site visits, DLC staff have recommended the purchase of a mobile Internet access Verizon USB 760 modem USB at $60. Total request is $2,008. Services A contract with Verizon for monthly mobile access through the 760 modem USB is available for $60 per month ($720) for the duration of a year. Helios: Connecting Florida's Asian Collections University of Florida/Harn Museum of Art IMLS Budget Form Project Title: Helios: Connectinq Florida's Asian Collections Section A-Detailed Budget Year: 1 Budget detail for the period from: 9/1/2010 1. Salaries & Wages Through: 8/31/2011 Method of Cost $ Grant $ Cost Name/Title of Position No. Computation Funds Sharing $ Total Jason Steuber, Curator TBA, Curatorial Associate Sarah Smith, Asia Art Reg Ast David Hickey, Library Lead Bess de Farber, Library Facilitator 10% of $71,400 15% of $38,000 100% of $31,320 1% of $58,264 2 5% of $75,000 31,320 583 1,875 33,778 7,140 $ 5,700 $ $ $ $ 12,840 $ 7,140 5,700 31,320 583 1,875 46,618 SUBTOTALS 2. Fringe Benefits $ Salary Base 278% $ 583 331% $ 14,715 81% $ 31,320 $ Grant $ Cost Funds Sharing 162 621 $ 4,250 2,537 3.320 $ $ $ $ 4.250 $ $ Total 162 4,871 2,537 7.570 SUBTOTALS 3. Consultant Fees Name or Type of Consultant No of days in project Daily rate of compensation $ Grant $ Cost Funds Sharing $ $ SUBTOTALS Avis car rental Tolls ($25 per trip) Fuel Lodging Lodging Meals No of persons No of days 1 24 1 8 1 24 1 20 3 1 1 24 5. Supplies and Materials Item Dell Laptop-Precision M2400 Verizon USB 760 modem USB 6. Services Item Monthly Mobile Access Contract 8. Other Costs $ Subsistence Costs Basis/Method of Cost Computation Dell e-quote Verizon website Basis/Method of Cost Computation $60 @12 mths Basis/Method of Cost Computation $ Transportation Costs $695 $100 $539 $1,439 $450 $ Grant $ Cost Funds Sharing $ Grant Funds 1,948 60 2,008 $ Cost Sharing $ $ $ $ Grant $ Cost Funds Sharing $ 720 $ $ 720 $ $ Grant $ Cost Funds Sharing $ $ $ Total 695 100 539 1,439 450 768 3,991 SUBTOTALS $ Total 1,948 60 2,008 SUBTOTALS $ Total $ 720 $ 720 SUBTOTALS $ Total $ $ SUBTOTALS $ Grant Funds $ 43,816 9. Total Direct Costs Rate 4. Travel $ Total $ Cost Sharing $ 17,090 $ Total $ 60,906 Helios: Connecting Florida's Asian Collections University of Florida/Harn Museum of Art 10. Indirect Costs Read the instructions about Indirect Costs before completing this section. CHECK THE APPROPRIATE BOX BELOW and provide the information requested. X Current indirect cost rates) have been negotiated with a federal agency (for item A, indicate the name of the agency and date of agreement expiration; complete item B). Indirect cost proposal has been submitted to a federal agency but not yet negotiated (for item A, indicate the name of the agency and date of proposal; complete _- Applicant chooses a rate not to exceed 15% of direct costs (complete item B). Item A. Name of federal agency: Department of Health and Human Services Expiration Date: 8/31/2011 Item B. Rate % of $ Base 0.33 $ 60,906 Proposal Date: 1/28/2010 $ Grant $ Cost Funds Sharing $ Total $ $ 20,099 $ 20,099 $ $ 20,099 $ 20,099 SUBTOTAI $ Grant $ Cost Funds Sharing $ Total PROJECT COST TOTALS (Direct and Indirect for Budget Period) $ 43,816 $37,189 $ 81,005 11. Total Project Costs I I I I I Helios: Connecting Florida's Asian Collections University of Florida/ Harn Museum of Art Narrative Helios: Connecting Florida's Asian Collections Museum Library Collaboration: Collaborative Planning Grant: Level I Helios: Connecting Florida's Asian Collections planning project, spearheaded by University of Florida's Samuel P. Harn Museum of Art, continues the strong and established collaboration with University of Florida's Siaiuilicr Libraries, in partnership with the Norton Museum of Art, Lowe Art Museum, Morikami Museum & Japanese Gardens, St. Petersburg Museum of Fine Arts, Patricia and Phillip Frost Art Museum, Polk Museum of Art, and Appleton Museum of Art. The project team seeks IMLS NLG funding for Phase II of a four-phase planning process for collectively sharing important Asian artistic and cultural assets across the Sunshine State, both physically and virtually, with curators, scholars, K-12 institutions, university and college institutions, and the general public. As the Helios project emerged from panels during the 2008-2009 Florida Association of Museums (FAM) annual conferences (See Supporting Documentation p.1), it aligns with goals set forth in the IMLS Connecting to Collections initiative in Florida. It also will provide a model for FAM's current statewide planning project funded by IMLS (http://www.flamuseums.org/programming/c2c/). In addition, the Helios project will assist the Harn Museum to fully utilize the 2008 IMLS digitization grant and the digitization of the Asian art collection (http://www.uflib.ufl.edu/ufdc/?b=UF00087447) in collaboration with Sn ailicir, Libraries for greater online accessibility and research (http://ufdcwebl.uflib.ufl.edu/ufdc/?h=harn). Asia, as defined for the purposes of the proposal, follows roughly the geographical areas impacted by the historical Silk Routes via land and sea trade migrations. As such, the region to be included in the grant request is geographically defined as follows: Persia (roughly present-day area of Iran) in the West; moving eastward to Japan with Mongolia and Korea as the northern boundaries; and moving southward, encompassing all areas now known as Afghanistan, Pakistan, India, China, Tibet, Himalayas, and tlh iIicas, Asia to Indonesia. Assessment of Need Florida is not a state widely recognized for its Asian cultural assets. Surprisingly, within the state, Asian art and cultural treasures have been a driving component in the development of significant private collector and public museum collections, both for university-based and nonprofit organizations. Whether one looks at the development of private collections that now are housed at public museums, such as the Norton Museum of Art and The Morikami, or examines collections and educational programs set into motion at university campuses, as was the case with the late Indian art expert and University Gallery Director Professor Roy C. Craven at the University of Florida (UF), Asian art and cultural materials in Florida have been of keen interest since the early part of the twentieth century. For example, in terms of statewide collaborations in support of Asian collections, nearly fifty years ago Craven worked with the Ringling Museum of Art to produce Indian Sculpture in the John and Mable Ringling Museum of Art (Gainesville, University of Florida Press, 1961). However, within the field of Asian culture, Florida-based museum and private Asian collections have yet to be fully documented, studied, loaned, and exhibited in such a way as to fulfill their potential for contributing to the canons of Asian art and cultural history. Furthermore, these diverse collections have yet to be fully acknowledged and enjoyed by the museum-going public and students across Florida's classrooms (K-12 and undergraduate/graduate degree programs). The quantity and degree of peer institutional interest in collaboration across Florida provides further evidence of need to combine forces around this cultural theme. Beginning in 2008, project leader Jason Steuber (Cofrin Curator of Asian Art, Samuel P. Harn Museum of Art, UF) initiated and organized annual planning meetings hosted by FAM for Asian art curators to discuss Asian art collections in the state. These sessions resulted in a new dynamic network of Asian art curators for sharing information about their institutional collections as well as loaning works among participating museums. Despite the initial successful results of FAM sessions, Steuber and his fellow curators clearly see the urgency for more work to facilitate greater knowledge and appreciation of the Asian collections within the state. From the FAM sessions, a shared common goal emerged: the need for an online portal to Asian Collections in Florida that is both innovative and accessible. The primary goal, as defined by this need, is to initiate and promote the facilitation of real and Helios: Connecting Florida's Asian Collections University of Florida/ Harn Museum of Art virtual access to Asian collections as well as Asian-related curriculum improvement throughout the state's educational systems. While there have been a handful of previous exhibitions and catalogues that cover art from all Florida collections (such as Roy C, Craven's The Art of India from Florida Collections, 1981: University Gallery, University of Florida, and others published from 1960 to 1999-See Supporting Documentation p.2), information for individual museum holdings is not readily available either separately or in any consolidated form. The Harn Museum's collection is one example that speaks volumes for the need to establish a statewide system of Asian collection assets. With more than 1,700 works, the collection spans a timeframe ranging from the Neolithic period through cutting-edge contemporary art. It covers a vast geographic distribution area, from Central Asia in the west to Japan in the east, and from Mongolia and China in the north to the southernmost points of India and Southeast Asia. The strengths of the collection are evident in ceramics, jades, and metal works and are further augmented by stone sculptures, paintings, and prints. In 2003, the Harn Museum recognized the growing importance of Asian art in its collection as well as in its donor base. The result was the establishment of the first Asian art curator position. In 2007, the Harn Museum took the next step in advancing Asian art by establishing the Cofrin Curator of Asian Art endowment. This curator not only oversees the exhibition, study, and publication of the Asian art collection, but also leads the vision for the new $20 million David A. Cofrin Asian Art Wing currently under construction and slated to open in 2011. Since 2008, Jason Steuber has been reviewing the entire collection and performing an assessment of holdings and strengths. Thus far the collection has been redefined according to regions of cultural origins for the works owned by the museum: China (450 objects, Neolithic-Contemporary); Japan (450 objects, 16th century-Contemporary); India (350 objects, first century- 1950s); Korea (60 objects, third century-1950s); Burma (10 objects, 10th century-18th century); Cambodia (20 objects, 10th century-18th century); Iran (15 objects, 9th-19th century); Pakistan (10 objects, first century-1950s); Thailand (200 objects, 300 BCE-18th century); Tibet (10 objects, 12th-19th century); and Vietnam (200 objects, 13th through 17th century). Overviews of partners in the Helios project and their respective Asian collections are as follows: Founded in 1941, the Norton Museum of Art maintains approximately 850 Asian objects, ranging from the third millennium BCE to the contemporary. The vast majority is from China (567) and is comprised of three-dimensional objects (jade, bronze, stone, ceramic), with only a handful of paintings or other two-dimensional objects. The collection also has works from Japan (about 180), Korea (about 5), Tibet (about 25), and Vietnam and Southeast Asia (about 8). The Norton is engaged in ongoing discussions with professors at local colleges and universities. Professors of Chinese language, art, history, and Asian studies at Florida International University (FIU), Florida Atlantic University (FAU), and Palm Beach Community College (PBCC) regularly receive invitations to use the Norton's Chinese collections, special exhibitions, and programs as teaching resources. Recent programs include: docent-led tours of the Chinese collection for Palm Beach Atlantic University (PBAU) Humanities Students, FAU professor of Asian Studies Kenneth Holloway's lecture on his new book, visits from PBCC Ceramics students to the Chinese Collection each semester, and "Chinese Corner" language study groups co-hosted by the Norton and the local branch of the US China People's Friendship Association and attended by students from FAU, PBCC, Norwood University, and primary and secondary schools' students. As a member of the Asian Studies advisory board at FIU, the Norton's Chinese curator has assisted the Frost Museum of Art with questions related to their Asian collection and upcoming Asian exhibitions. Founded in 1950 and opened to the public in 1952, the Lowe Art Museum maintains 5,177 objects in its Asian collection and ranks among the largest in the southeastern US. Regions represented in the collection are China, Japan, Korea, India, and Southeast Asia. Recognizing the importance of establishing an online presence with open access, all works have been digitized and will be available in late 2010. Again, like the Harn, Frost, and Appleton museums, the Lowe Art Museum is associated with a college or university: University of Miami. Established in 1977, the Morikami Museum's Japanese art and ethnographic materials total over 7,500 objects, including both fine art and objects of daily life dating from the Jomon period (c. 2,000 BCE) to the modern period. With funding from the Freeman Foundation, 1,084 objects with thorough metadata have been organized in a digital collection. The Morikami also maintains an extensive library collection of 7,500 volumes and 2,000 magazines related to Japanese history and culture, with some information on law, many of which are written in Japanese, as well as some research material on China, Korea, India and Central Asia (94% English language; 5% Japanese language; 1% others). However, a printed Helios: Connecting Florida's Asian Collections University of Florida/ Harn Museum of Art card catalog system at the museum is the only means of searching this collection. The Morikami has a long history of collaborative partnerships, and co-presenting cultural programs with FAU, FIU, University of South Florida and University of North Florida. Opened in 1965, the St. Petersburg Museum of Fine Arts has an Asian art collection composed of more than 500 works drawn from across Asia, including China, India, Japan, Korea and Southeast Asia. Of particular note are Hindu sculptures from the 11th through 13th centuries as well as selections of ceramics and paintings from China, Japan, and Korea. The Museum of Fine Arts engages students from the University of South Florida, Eckerd College, and St. Petersburg College. Opened in 1977, the Patricia and Phillip Frost Art Museum (formally The Art Museum at FIU) houses 373 Asian works in their collection with works that date from 4700 BCE through the late 20th century. Regions represented span from Persia in the west to Japan in the east and south through India to Southeast Asia. Strengths of the collection are found in sculptures, paintings and works on paper, textiles, and decorative arts. Similar to the Harn, Lowe, and Appleton museums, the Frost is linked with FIU as its university partner. Opened in 1966, the Polk Museum of Art houses several hundred Asian works in its collection, with strengths in Korean pottery and metal wares, Chinese and Japanese ivories, porcelains, paintings, prints, and textiles as well as Indian decorative arts. The Polk Museum focuses on Asian works as one of its five main collecting areas. Similar to the Harn, Lowe, Frost, and Appleton museums, the Polk Museum collaborates with the International Academy of Design and Technology. Opened in 1987 based on a private art collection, the Appleton Museum of Art's Asian collection is composed of over 600 religious and secular works from China, India, Japan, Tibet, and Southeast Asia. Hindu art is depicted by fine Indian sculptures of the 10th through 12th centuries. Buddhist art is represented by Indian, Tibetan, Thai, and Burmese sculpture and textiles. The Chinese collections feature porcelain, jade, and metal vessels, ceramic funerary sculpture, jades, religious works, snuff bottles, and furniture. The Museum's Japanese collection highlights include netsuke, bronzes of the Meiji period, textiles, and an elegant palanquin. Similar to the Harn, Frost, and Lowe, the Appleton Museum is linked with Central Florida Community College. Collectively, the known number of Asian arts and cultural materials held in these and future partner institutions, plus objects and rare books held at the UF Libraries, exceeds 20,000. Combined annual attendance for current and future partners is over 500,000. As evident by the association of museums with universities throughout the state of Florida, the Helios project continues this important collaboration between museums and universities by hosting the Asian collections across the Sunshine State. Important to note is that the list of Florida museums with Asian collections includes others not listed in this narrative, but which have been invited to take part in the Helios project (See Supporting Documentation pp.3). The audience tiers who will benefit from Helios' planning results include: Asian art and cultural artifact professionals such as curators, professors (art history, history, anthropology, museum studies, Asian Studies, Languages, religious studies, gender studies, architecture, design, fine art), museum directors, art and book dealers, conservation scientists, current undergraduate and graduate Asian art professionals-in-training, museum education staff, Asian art collectors, and others. Current impediments to sharing information about collections with these groups, and loaning items in collections among participating Florida institutions and beyond, include: lack of introductions to Florida-based Asian collections either on-line or in traditional publications and the absence of a collective network throughout the state that promotes the collections. National Impact and Intended Results The national impact and intended results are such that the Helios project will demonstrate that collaboration assists to significantly improve access to works and reference materials heretofore unavailable to audiences. The creativity of the Helios project addresses the issue of museum and library collaborations by focusing on collections of Asian art throughout Florida. This is demonstrated in the development of a database portal to provide a single access point of information and scholarship. No other state in the US has such a portal and the development of the portal will serve as a model address various collections in museums. The Helios project design reflects a clear understanding of current museum/library issues since the goal of increasing collaborations between museums and libraries is at the center of this project. Helios: Connecting Florida's Asian Collections University of Florida/ Harn Museum of Art Original contributions to the working knowledge of Asian art curators, professionals, students, and collectors by providing much needed access and formal introductions to museum collections of Asian art in the state of Florida. The Helios inventory database will have the potential to improve scholarship on Asian art and the history of collections of Asian art in Florida, the US, and beyond. As the Smithsonian Institution Freer-Sackler Museum recently put forward on their website, the history of Asian art history and the history of the provenance issues/contexts of Asian art collecting in the West involve not only issues of cultural heritage (as protected by UNESCO Cultural Heritage Laws by 1970), but also World War II Nazi-era collecting circumstances related to Asian art in Europe. The access to the Asian art materials provided by the portal will positively impact the art historical canon of Asian art, benefiting all audience members in this division. This is, however, just one example of the application for this particular audience. Other needs well-served by the project will include a more complete understanding of rare works of Asian art that will undoubtedly become part and parcel of the critical inquiries into Asian art histories and theories as well as fresh research opportunities for students and scholars to work with objects firsthand. Though the American south has not traditionally been a strong force in Asian Studies, Florida's educational focus on Asian studies is growing. In response to the rapid rise in the economic, political, and cultural significance of Asia, academic institutions statewide are increasingly providing resources to acquire Asian languages interdisciplinary courses on social science and humanities issues. A disciplined understanding of Asia is important as the national economic, political, and cultural map is reshaped. The knowledge provided to students studying in Florida and beyond, widens horizons, enriches them personally, and deepens their ability to engage any professional field. Asian studies programs in Florida are widespread and ever increasing throughout the state (See Supporting Documentation, pp. 4-6). As noted, well over twenty universities, both private and public, have undergraduate and graduate courses as well as degree programs focused on Asian-related fields. Areas covered by these various schools include cultures, languages and literature; history; business; social sciences; economics; religion and philosophy; geography; and politics. The Helios project fosters the concept of inreach whereby Florida-based collections source their own materials and develop projects based on the respective strengths of their Asian collections. By documenting the collections across the Sunshine State, Helios will better serve primary goals of outreach to universities and the public through exhibitions, traditional print and online publications, and access to materials. Current issues in the museum field that present barriers to contributing to a statewide resource, such as planning for Helios, vary widely depending on each participating museum's level of curatorial and registrarial development. Some museums don't have the collection information in any uniform manner, even in paper, and instead maintain a mix of card catalogs, indexes, catalogs, and other support materials with no single comprehensive source. Museums have different systems where those various systems rely on diverse organizational philosophies and are more difficult to view holistically. Museums may have the same objects with the different systems each serving only some of the museums' overall needs. Some haven't entered all or any objects into an electronic system. Museums use software packages that are cumbersome for internal users and either do not have any version accessible to external users or the external system is also inadequate to fully engage a collection. Often, these packages are expensive with increased costs when more material, users or partners are added essentially making collaboration more difficult instead of facilitating collaboration and innovation. Helios advocates the creation of asset-based, rather than need-based virtual community, on a statewide basis, with making previously "invisible institutional assets visible." According to research conducted at Northwestern University, while a need-based community focuses on "needs, deficiencies and problems," an asset-based community begins with a commitment to uncovering the community's capabilities and assets. This and other work has demonstrated that investment in asset-based models is the most effective way of solving problems, as long as a need can be rapidly and accurately linked to an asset." In this case, the need is to leverage extant Asian collections for the benefit of future research and learning. (See Supporting Documentation pp.7). Addressing these issues directly, the Helios project's intended outcome is that of greater engagement by the public with Asian materials firsthand and second-hand, such as through publications and virtual online resources. Changes in the field that could result from the project include: increased collaborations among museums and libraries; better understandings of Helios: Connecting Florida's Asian Collections University of Florida/ Harn Museum of Art collections of Asian art in Florida; enhanced awareness of Asian art works in Florida via increased usages in scholarly writings on Asian art; more engaged students with works readily available for original research across diverse disciplines; and increase in exchanges among Florida-based Asian art collections. In addition, Helios will introduce the casual museum visitor to an access point that can be used in planning to visit museum attractions throughout Florida, and to provide a consolidated access point that is free and open where visitors can learn more about Asian art and cultural resources in Florida. Due to ongoing cutbacks to public school opportunities to study the arts, Helios will well serve public schools (K-12) since it will provide much needed information to students and teachers who otherwise would not have access. Finally, the Helios project will be shared with all university programs that focus on Asia so as to offer another avenue of data and materials for research. The University of Florida (UF) through the assets of the Harn Museum, through technology resources at its Digital Center (UFDC) featuring over four million digital pages (http://ufdcwebl.uflib.ufl.edu/ufdc/), and its Asian Studies program has over 50 years of tradition focusing on Asian collections across the state through collaborative projects, making it uniquely qualified to lead this project. The UF Asian Studies program, for instance, has managed, with the support of the College of Liberal Arts and Sciences and funding from Freeman and Japan Foundations in 1995, 2001, and 2005, to triple in size, with 28 core faculty members in seven different departments. As the flagship university of a ten-university system, UF boasts the only full four-year program of language study in Chinese and Japanese in the state and B.A degrees in East Asian Languages and Literatures and Asian Studies, with over 350 students in 95 majors enrolled in language study. This year the university added a professor of Chinese, and interviews for another professor for Chinese Studies will initiate this spring. Another example of many efforts being made by both museums and institutions of higher education to support Asian studies in the state's K-12 classrooms is UF's Florida Seminar under the National Consortium for Teaching About Asia auspices, one of 50 thirty-hour seminars for middle and high school teachers in East Asian history, geography, literature and culture funded by the Freeman Foundation. Other Florida museums have made significant in-roads into bridging resource gaps for teaching about Asian cultures. The Morikami has a long history of partnering with Asian studies and museum programs at the Harn, Norton Museum of Art, Florida International University, University of South Florida and University of North Florida, especially in training K-12 teachers and volunteer docents in the teaching of Japanese arts and culture. The Norton Museum of Art not only collaborates with local universities and colleges, it also engages in K-12 tours as well as showing a cd-rom (Treasures of ( lo, n, Art) outside the Chinese exhibition galleries. Project Design / Evaluation Plan This project will: 1. Conduct a statewide assessment covering each of the collections 2. Create a searchable inventory of Asian collections in museums, including books 3. Develop communication networks among museums, and educational partners In order to create these needed resources for the future development of the portal, this project will: Hire a museum research specialist who will o travel to each of the Asian art collections, gathering the collection information o compile the information into an assessment report and inventory database coordinate meetings for curators/key personnel at FAM in 2010 and 2011 o the assessment report will be distributed prior o the meeting will use the assessment information to: develop a list of requirements that are needed to prepare each of the museums to participate in the portal, and ensure ongoing participation develop a list of conceptual and technical needs for the portal facilitate discussions/exchanges among collection institutions and educational partners distribute and collate evaluation information to/from partners Technologists from the University of Florida Libraries' Digital Library Center will assist with any questions on technologies and contribute their relevant technical expertise to the planning discussions. Helios: Connecting Florida's Asian Collections University of Florida/ Harn Museum of Art The planning process is envisioned as the second of four discrete phases of the larger project: Phase I (2008/09) Phase II (2010/11) Phase III (2011/12) Phase IV (2012/13) Planning meetings Statewide assessment and Statewide convening for Online portal for sharing discussing the state of Asian searchable inventory of strategies and training: digital collections, Collections in Florida and Asian physical and online digitizing collections, promotional plans, need for sharing information collections in museums, promoting collections, and exhibition plans, about collections including libraries at developing sharing educational-use plans; other museums (IMLS funding collections for exhibitions plans to leverage Asian request) assets The project's scope, goals and activities, planning process, implementation, and expected results are as follows: The project's scope involves gathering information on Asian art collections in Florida-based museums through collaborations with each museum through which the museums share facts and figures from their collection. The project scope involves gathering data and images from the museum collaborators so as to design and implement an on-line portal for Asian art in Florida-based museum collections. The project's goals and activities involve a series of communications with each museum in the state of Florida that houses Asian art collections. The planning process involves communicating with the core group of participants and information sharing. Collaborators will provide information on their collections as requested by the project questionnaire as well as additional s itisl ins, for eventual development of the portal. The communications will involve emails, telephone calls and museum site visits. Activities involved will include discussions with each museum's staff about respective Asian collections, the cataloging system, history of exhibitions, policies for and desires to loan objects, on entering the required data needed to develop an Asian art portal as well as sharing initial prototypes of the portal with museum collaborators to gain insights and feedback to make the eventual portal more accessible. Helios proposes efficient, effective and reasonable approaches: Growing out of the FAM interests in Asian art in Florida collections, the project continues the trajectory of museums coming together to share information on their collections in a manner that both the general public and Asian art expert can enjoy new benefits of open access. The approaches of the project involve continuing discussions and collaborative measures established in 2008 at FAM via emails, telephone calls, and museum visits. Based on discussions with participating museums, the methodology and design for scope are appropriate to gather and use data in a manner to develop an on-line database that is searchable by object type, country of origin, time period, extant photography/metadata, and other important attributes (publications, etc). By standardizing questions/requests of facts regarding each collection, the project team will be able to organize the data in various manners to engage the public and Asian art experts. Methodology involves a standardized questionnaire and museum site visits to work closely with museum collaborators as well as gain first-hand knowledge of each collection's holdings and an image database suitable for online applications. The degree to which planning tasks are likely to result in clearly articulated goals and objectives for the project is very high since all members involved in the collaboration directly benefit from increased awareness and usage of their Asian art collections, while the collaboration among the museum and library directly addresses how and why links between objects on display and research tools through the UF Digital Center are a new direction for the future. Evidence that the planning process appropriately involves all partners is found with the letters of collaboration commitment from museums with Asian art collections as well as the work already underway between the Digital Library and Harn Museum of Art's Asian art collection. The institutional responsibilities for the project's implementation and management are to coordinate all communications with museum collaborators and deliver data to the Digital Library so that a database can be developed. Management of all communications will be through the project leader. In addition, the project leader will initiate and coordinate any site visits and/or conference calls required during the planning process. Sufficient resources are available to gather information from each of the museum collaborators as well as technical expertise by the project director and UF Digital Library Center to develop data and database. The UF Digital Collections Helios: Connecting Florida's Asian Collections University of Florida/ Harn Museum of Art (UFDC) is powered by a robust content and collection management system known as SobekCM. SobekCM is a custom .NET application with Lucene indexing and SQL database, designed by the UF Digital Library Center. SobekCM fully supports UF's digital collections and digital collection objects, beginning with the internal tracking and management of items. Item records can be entered directly into SobekCM's tracking system using several available template forms, imported from existing record types (MARC or METS/MODs), and imported from spreadsheet listings of records. As a full content and collection management system, SobekCM allows for external user-display of all items and record information and internal-only display. Internal users can log in through the same online system and, when logged in, see the same records and item materials with additional administrative options and internal notes. The parallelism between the two views is to ensure internal and external users see as much of the same information within the same interface as possible, to allow internal users to better understand how their materials will be dipla\ ed to external users. The similarity between the two views also enhances the development of a critical knowledge base about how the items and collections are described and displayed, easing communication among internal and external users when discussing particular items, collections, and related concerns. Items in SobekCM can be browsed and searched by keyword and advanced search fields, for separate or multiple collections and by separate and multiple holding institutions. For instance for Helios, users could search only the Harn Museum's Asian Art Collections or only the Norton Museum's Asian collections, or all of their and other institutions' materials simultaneously. As a content and collection management system, SobekCM supports items throughout the digitization process, from only records all the way to compound and complex digital objects within customized, discrete digital collections. After records are entered, internal users can load digital objects through an online self-submittal form or they can use the SobekCM Toolkit (currently in use for the Digital Library of the Caribbean in three languages for over a dozen partners) that guides them through the digitization and loading process for digitized items. In addition to supporting the loading of digital items, SobekCM is also the content management system powering the collections' web pages. For all of these components, the UF Digital Library Center supports partners through training for using the Toolkit and online self- submittal form, assistance and training for loading records, and web design and content support to ensure digital records and materials have the necessary context to be as findable and useful as possible. The other technologies within SobekCM further enhance the support and service model with OAI for metadata harvesters, allowing all records in the UF Digital Collections to be harvested by an OAI harvester, including WorldCat, Florida on Florida, and the National Library of Australia's Trove, among others. All records and items within the UF Digital Collections are also findable through commercial web searches, including Google searches, and all new technologies that enhance one area of the UF Digital Collections enhance all others. Other information about the UFDC is available here: http://www.uflib.ufl.edu/digital/digitalservices/. An example of the possibilities for Helios' future digital portal is available here, demonstrating how the UFDC serves as the library catalog for Haitian partnering organizations. In this example UFDC serves as a great digital collection system and library catalog and museum catalog, avoiding metadata mapping problems or acceptable format limitations that most library and museum systems present. http://ufdcweb 1.uflib.ufl.edu/ufdc/?m=hdPD&b=UF00095845 &v=00001 The planning project has a high likelihood of resulting in the future successful development of the portal. Further, sustainable future support is already being planned. On-going curatorial duties do not exclude working on the collaborative venture, especially since the portal project continues Steuber's leadership role established in 2008 FAM as the project leader for developing a group of Asian art curators in Florida. The evidence provided that the project will create, implement and document workable models that have the potential for wide adaptation and will produce far-reaching results are found in the engagement of the library with museums participating in FAM's Asian art collections in Florida group that began in 2008. Evidence is also found in the project questionnaire (See Supporting Documentation, p.8) that will serve as the first step to gathering raw data for the portal. Evidence may also be found on-line with current applications of information and images shared between museums and libraries. Examples of the UF Digital Library Center's staff current work on elements for the future portal may be viewed through the following links: Map: http://www.uflib.ufl.edu/ufdc/?c=asial&m=hitportal Helios: Connecting Florida's Asian Collections University of Florida/ Harn Museum of Art Flipbooks: http://www.uflib.ufl.edu/digital/projects/labs/flashbooks/QinDingXiQingGuJian/ http://www.uflib.ufl.edu/digital/projects/labs/flashbooks/UF00095997 00001/UF00095997.swf http://www.uflib.ufl.edu/digital/projects/labs/flashbooks/UF00095998 00001/UF00095998.swf http://www.uflib.ufl.edu/digital/projects/labs/flashbooks/UF00095999 00001/UF00095999.swf After the conclusion of the planning process, implementation will begin: The implementation of the information gathered will be in the form of an on-line database with images and new information on current exhibitions at each of the museums across Florida. Titles of exhibitions, mapping options for travel, and examples from each collection will enable visitors to engage the Asian collections in Florida in a manner never before available to them. Expected results are that more audiences will be exposed to the diverse Asian collections in Florida while also awareness will be increased among scholars/students of the types of works available for research. Information will be shared with partners via direct emails, telephone conversations, and museum visits. Information will be available on-line for participants to view/review content and to make s i ilhna' chancess. Decisions will be made in a collaborative manner using consensus facilitation methods. The project leader will coordinate and document decision processes and archive them. The relationship between the project and other similar projects in the museum and library fields may be found in its goal of increasing collaborations among libraries and museums. Libraries, archives, and museums (LAMs) are currently focused on the need to integrate their disparate information silos so that users can search across library, archive, and museum holdings using a single interface. The UF Libraries and Harn Museum are in the process of integrating information on holdings, with the addition of books in the Harn Museum Reading Room to the Libraries' catalog in 2007, and with the cataloging and integration of records for the Harn's collections into Libraries' catalog through UFDC during 2009/10 (See Supporting Documentation, p.9). The assessment methods to measure project outputs, outcomes, findings, and products will be able to be tracked by various methods. Future tracking, reporting, and analytics of usage with detailed usage statistics will be provided through UFDC's current online system with a detailed description of definitions for the types of usage: http://www.uflib.ufl.edu/ufdc/?m=htd ; therefore ensuring accurate usage numbers and types of usage statistics on the portal. The evaluation plan is integral to project design since museum collaborators will want to demonstrate benefits of the project for their museums. Success in evaluations by both the public end-users and internal museum collaborators ensures both user types will benefit from the project and return to it again and again to view Asian art in Florida-based museum collections. Evaluation of Helios project will involve partner institutions responding to the following queries: o Information gathered by the Helios project was openly shared in a constructive manner? o Site visits were conducted to your institution? o Follow-up responses to queries and istueslins, were integrated in a timely manner? o FAM meetings in 2010 and 2011 addressed issues and provided status updates on the Helios project? o What were some of the expected and unexpected outcomes of the Helios project for your institution? o Was your institution able to track usages by museum visitors and online users? If so, please provide examples of each. o Was your institution able to identify new educational partners based on the Helios project? Did your institution notice an increased participation by educational partners? o Did the Helios project assist in better understanding your collection internally? Assist in better understanding by the public (both everyday museum visitor and museum specialist)? o Has your institution either made loans or received loans from partner institutions participating in the Helios project? If so, please explain. o Does your institution's staff use Helios for museum projects? o Does your institution plan to continue updating its holdings on the Helios site? o Please provide any additional comments and/or suggislions. The degree to which planning will result in a project that will significantly impact current issues in the field cannot be overestimated. Planning is essential to develop an innovative model that addresses each of the various museum collections while bringing the information of these collections together in a standardized manner by which the user can learn about each collection and engage the collections on-line or by an in-person visit to the Helios: Connecting Florida's Asian Collections University of Florida/ Harn Museum of Art galleries. Current issues in the field that are related to collection histories and provenance issues are at their initial stages as witnessed by the recent provenance project initiated by the Freer-Sackler Museum in Washington, D.C. The planning of the Asian art portal for Florida-based collections will ensure a successful project that will be the first of its kind. Project Resources: Budget, Personnel, and Management Costs for Phase II include: salary and travel expenses for a UF Museum's Studies graduate student, facilitation services, laptop, mobile broadband access card, and travel to FAM meetings in 2010 and 2011. Harn Museum of Art Staff Jason Steuber (10%, cost share) was appointed as the Cofrin Curator of Asian Art in 2008. His research interests include the history of collecting and exhibiting Asian art. Previously, he served as an Asian art curator at the Nelson-Atkins Museum of Art in Kansas City, Missouri, and was appointed as the Leverhulme Trust Visiting Fellow in the Department of History of Art, Glasgow University. He has contributed to major projects, including the 1999 international loan exhibition The Golden Age of ( loi, \, Archaeology: Celebrated Discoveries from The People's Republic of China, held at the National Gallery of Art, Washington, D.C., and the 2004 two-volume set New Perspectives on China's Past: ( li1u \, Archaeology in the Twentieth Century, published by Yale University Press. He has written articles for international journals, including Apollo, Arts of Asia, Ari.A iiaPa, ifi, The Burlington Magazine and Gugong Wenwu Yuekan (\an iall Palace Museum Monthly of( hm, \, Art). His 2008 book, ( mla, 3,000 Years of Art and Literature, was published by Welcome Books. Steuber holds bachelor's degrees in East Asian languages and cultures and Chinese History from the University of Kansas, where he also received his master's degree in East Asian languages and cultures. Role: Lead and coordinate Helios: Connecting Florida's Asian Collections. Sarah Smith, (100%, budget request) graduate student in Museum Studies at UF, has been part of the registration department since 2006 as both student intern and now as part-time Asian Art registration assistant. Having firsthand knowledge of Asian art works and registrarial database management experience, she is responsible for coordinating the collection assessment and data entry for the Harn Museum's Asian art collection. Role: Travel to Helios partner institutions to gather primary information for entry into assessment report and Helios inventory database for future automated portal. Asian Art Curatorial Assistant, (15%, cost share) a multi-year position to be filled by early 2010 at the Harn Museum. Role: The curatorial assistant will support Helios project team members Steuber, Taylor, and Smith to gather, coordinate, assess, and enter data; communicate with Helios partners; and to perform other duties as needed, such as future FAM annual conference panel meetings. UF Libraries Staff Laurie N. Taylor, PhD (as needed), is the Interim Director of UF's Digital Library Center (DLC). She came to DLC in 2007, and has taught undergraduate courses and workshops on digital media since 2000. Taylor serves as technical director for the Digital Library of the Caribbean and the Florida Digital Newspaper Library. Her published research articles include digital media, library and information science, Open Access, and literature; and she co-edited a collection on digital representations of history and memory, Playing the Past: Video Games, History, and Memory. She serves as the technical director for the Digital Library of the Caribbean and Co-PI on America's Swamp: the Historical Everglades, to digitize six archival collections. Role: Technical advisor in planning the future portal and automating the database. C. David Hickey (1%, budget request) is Associate University Librarian/Asian Studies Bibliographer at the UF Libraries. Achieving tenure in 2007, he has been active in the Council on East Asian Libraries as Chair of the Committee on Public Service 2005-2008, and has served twice on the Executive Board. Hickey's responsibilities include overall development and management of Asian Studies collections, including selecting and evaluating print and electronic materials. Specifically as Chinese Collection Manager and Japanese Collections Coordinator, coordinates all aspects of native script and western language collection development and management, collaborates with academic faculty in building up holdings. Role: Oversee inclusion of UF Libraries' materials in the inventory, and liaise regarding cataloging information. Helios: Connecting Florida's Asian Collections University of Florida/ Harn Museum of Art Hikaru Nkano (as needed) is East Asian Cataloger and Japanese Collections Coordinator, and holds a BA in Art Theory from Kwansei Gakuin University in Nishinomiya, Japan, an MS in Education Technology from Radford University and MS in Library & Information Science from Florida State University. She will work with Hickey and the project team providing any necessary cataloging and coordination of Japanese materials. Role: Providing support to Hickey related to Japanese objects and cataloging information. Bess de Farber, (2.5%, budget request) UF Libraries' grants manager, holds a Master's in Nonprofit Management from Florida Atlantic University and is a Certified Professional Facilitator through the International Association of Facilitators. She has over 20 years experience facilitating/training in collaboration development, especially in Florida's arts and culture community. Role: Facilitate planning meetings for Harn and UF Libraries' staff, and with Helios partners. Dissemination: Dissemination will be accomplished via several means. First, upcoming FAM annual conference meetings (beginning in 2010) will highlight the Helios project as part of the Asian art curator panel session. Second, the Helios project will work with FAM's efforts toward expanding its IMLS-funded Connecting to Collections program. Third, the Helios project will be published in international Asian art journals, such as Orientations, Arts of Asia, and the Asian Art Newspaper. Fourth, each of the partner institutions will communicate the importance of the Helios project to their constituents in traditional print offerings and electronically. In addition, the UFDC at Sinilici, Libraries' is OAI (Open Archives Initiative) compliant, allowing all OAI harvesters free access to the metadata and free and complete access to the linked digital objects. Items in UFDC are already harvested by WorldCat's OAlster, Florida on Florida, and many others. Sustainability: On one hand, the lasting impact of the Helios project involves its ability to continually update its database and provide current information regarding the collection and exhibition of Asian art in Florida. The impact of a single portal to various collections enables scholars and novices alike to engage the collections in a manner never previously available. The increases in accessibility and knowledge of current exhibitions and museum holdings will engage the visitors to the site well into the future. On the other hand, the Digital Library Center (DLC) facilitates and focuses the Libraries' development and integration of digital programs and services within and extending from UF. It was established in 1999 to support ongoing research while preserving and enhancing access to materials. Given the UF's role as the primary preservation partner for Florida and the Caribbean, the DLC has expanded into a large-scale digitization facility. Because of the infrastructure costs for digital preservation and perpetual online open access, the DLC leverages the robust infrastructure of the SobekCM System to support all internal and collaborative projects. SobekCM features a robust standards-reliant infrastructure that allows for the automatic translation among multiple metadata standards (MODS/METS, MARC, DC, PREMIS) for maximized interoperability across access and preservation systems, ensuring ongoing digital preservation as files are migrated forward as needed and maintained in consistent, redundant formats. Moving toward an innovative digital collection focused on access to Asian collections throughout the Sunshine State allows for future potential implementing of eLearning, eExhibitions, and eScholarship. These dynamic new e-platforms approach sustainability by allowing works and materials to be exhibited, researched, and studied through free and open access while avoiding scenarios where works could potentially be exposed to damage and deterioration. Thus, another aspect of sustainability involves physical conservation of works from potential real-world harm, while eliminating travel costs and lessening the carbon footprint for those who will soon have increased digital access to these rich and unique collections. Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Helios Project Outline and Timeframe September, 2010 August 31, 2011 Timeframe Activity 1st Quarter Schedule and complete 11 site visits, review collections, catalogs, collections management (Sept. 1-Nov. 30) systems, and gather inventory data Attend Florida Association of Museums annual Conference with Helios partner institutions Search for additional participants 2nd Quarter Schedule and complete additional site visits (Dec. 1 Feb. 28) Follow up with partner institutions regarding progress and data accuracy Design and input database inventory 3rd Quarter Complete design of database (March 1 -May 30) Input database inventory Complete database inventory Plan upload of data into UF Digital Center 4 Quarter Receive input on database usage from all participants (June 1- Aug. 31) Evaluation of results Make improvements as necessary Complete IMLS Final Report Helios Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Summary Budget $ IMLS $ Cost Share $ TOTAL COSTS 1. Salaries & wages $ 33,778 $ 12,840 $ 46,618 2. Fringe benefits $ 3,320 $ 4,250 $ 7,570 3. Consultant fees $ $ $ 4. Travel $ 3,991 $ $ 3,991 5. Supplies & materials $ 2,008 $ $ 2,008 6. Services $ 720 $ $ 720 8. Other costs $ $ $ TOTAL DIRECT COSTS (1-8) $ 43,816 $ 17,090 $ 60,906 9. Indirect costs $ 20,099 TOTAL COSTS (Direct and Indirect) $ 43,816 $ 37,189 $ 81,005 Project Funding for the Entire Grant Period 1. Grant Funds Requested from IMLS $ 43,816 2. Cost Sharing: a. Cash Contribution b. In-Kind Contribution c. Other Federal Agenices* d. TOTAL COST SHARING $ 37,189 3. TOTAL PROJECT FUNDING (1+2D) $ 81,005 % of Total Costs Requested from IMLS 54% Organizational Profile Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Date organization was incorporated: September 20, 1990 Mission The Samuel P. Harn Museum of Art promotes the power of the arts to inspire and educate people and enrich their lives. To this purpose the museum builds and maintains exemplary art collections and produces a wide variety of challenging, innovative exhibitions and stimulating educational programs. As an integral part of the University of Florida, the museum advances teaching and research and serves as a catalyst for creative engagement between the university and diverse local, state, national and international audiences. Organizational Overview a) Overview The Harn Museum of Art distinguishes itself among university art museums as a creative laboratory for the visual arts. Accordingly, the Harn unites the university and the wider community to make groundbreaking contributions to research, teaching, and service. The Harn strives for innovation in its exhibition schedule and the means of outreach as its mission. Fully accredited by the American Association of Museums, the Harn Museum of Art is located on the campus of the University of Florida and houses collections that currently contain approximately 6,770 works. The 86,800 square foot facility includes 35,675 square feet of exhibition space, two classrooms for educational programming, a 200-seat auditorium, and a cafe. The Bishop Study Center offers interpretive support through books, videos, and software with lending privileges to teachers. The museum broke ground in July 2009 for a 22,000 square foot addition for exhibition space, art storage and art conservation. Admission to the museum remains free of charge to everyone. The active collecting areas are international contemporary art, African art, Asian art, modern art of Europe and the Americas, and photography. In addition to permanent collection exhibitions, the museum organizes original temporary exhibitions and hosts traveling exhibitions. Current educational programming includes docent-led tours (available by advance request in several languages), lectures, gallery talks, films, performances, outreach programming (including programming for seniors and the visually impaired), Family Days and Tot Time with hands-on art-making activities, interdisciplinary curriculum resource units for K-12 schools, and teacher workshops. The Harn Museum collaborates extensively on programming and research with academic units of the University of Florida, and provides internships and research opportunities for both undergraduate and graduate students. b) Previous activities The Harn Museum of Art facilitates the maintenance, installation, and de-installation of 9 galleries composed of 35,675 square feet. Throughout the year, the registration and preparation staff executes the installation and de-installation of an average of 8 to 10 temporary exhibitions per year. Temporary exhibitions remain on display for approximately 3 months at a time, and the galleries that display objects from the permanent collection have planned periodic rotations during the year. The Harn's education staff maintains contacts with university faculty, K-12 educators, and interested parties to include the broad community demographic in educational programming related to exhibitions. c) Community The Harn Museum of Art serves the approximately 240,082 residents of Alachua County and outlying populations of north central Florida. The museum attracts scholars, artists and visitors from around the world and currently has approximately 841 members. According to the U.S. Census Bureau, the general demographics of Alachua County are as follows: Ethnicity: White 73.7%, African-American 19.5%, Hispanic or Latino origin 7.3%, Asian 4.7%, American Indian and Alaska Natives 0.3%. Income: Median household income $38,075; per capital income $18,465. Education level: Bachelor's degree or higher (percent of persons over the age of 25) 38.7%, high school graduates (percent of persons over the age of 25) 88.1%. Age: Under 5 years old 5.6%, Under 18 years 18.8%, Persons 65 years or over 10.2%. d) Special Efforts The Harn programs with sensitivity to the local demographic and engages the community appropriately. The museum serves the university community by providing an array of public programs that complement academic curricula and scholarly publications featuring the museum's permanent collections. The Harn also encourages the interest and participation of local students by offering internships, Museum Nights, and the MUSE (Museum University Student Educators) program. The Harn's Looking Beyond Sight and Art for Life programs offer interactive activities for the visually impaired and people in assisted-living facilities, respectively. Family audiences are served by regularly scheduled Saturday Family Days, Tot Time for young children twice monthly, studio art classes and the Bishop Study Center with its library, art games, videos, hands-on collection of art and other resources. PROGRAM INFORMATION SHEET PAGE ONE 1. Applicant Information a. Legal Name (5a from Face Sheet): University of Florida b. Organizational unit (if different from Legal Name) : Ham Museum of Art c. Organizational Unit Address Street1i: PO Box 112700 City: Gainesville State: FL d. Web Address: http://www.harn.ufl.edu e. Type of Institution (Check one): Street: County: Alachua Zip+4/Postal Code: 32611-2700 D Academic Library D Library Association D School Library or School District D Aquarium D Library Consortium applying on behalf of a School D Arboretum/Botanical Garden D Museum Library Library or Libraries 0 Art Museum D Museum Services Organization/ D Science/Technology Museum D Children's/Youth Museum Association D Special Library D Community College D Native American Tribe/Native D Specialized Museum** D Four-year College Hawaiian Organization D State Library D General Museum* D Natural History/Anthropology D State Museum Agency D Graduate School of Library and Museum D State Museum Library Information Science D Nature Center D Zoo D Historic House/Site D Planetarium D Institution of higher education D Historically Black College or D Public Library other than listed above University D Research Library/Archives ZOther, please specify: D History Museum *A museum with collections representing two or more disciplines equally (e.g., art and history) **A museum with collections limited to one narrowly defined discipline (e.g., textiles, maritime, ethnic group) 2. Grant Program or Grant Category Di a. 21st Century Museum Professionals LI b. American Heritage Preservation Grants c. Congressionally Directed Grants d. Connecting to Collections: Statewide Grants EPlanning lImplementation e. Conservation Project Support - General Conservation Survey D Detailed Conservation Survey D Environmental Survey D Environmental Improvements D Treatment D Research Di Training f. Laura Bush 21st Century Librarian Program D Master's-level Programs E Doctoral-level Programs E Pre-professional Programs E Research (early career development) ] Research (other than early career development []Continuing Education D Programs to Build Institutional Capacity D g. Museum Grants for African American History and Culture h. Museums for America D Engaging Communities D Building Institutional Capacity Di Collections Stewardship i. National Leadership Grants Select Museum or Library: 0 Museum El Library Select Funding Category: E] Project Grant 0 Collaborative Planning Grant Select Project Category: El Advancing Digital Resources El Demonstration 0 Library Museum Collaboration El Research j. Native American/Native Hawaiian Library Services El Basic Grant only El Basic Grant with Education/ Assessment Option Ei Enhancement Grant El Native Hawaiian Library Services k. Native American/Native Hawaiian Museum Services El Programming Li Professional Development Di Enhancement of Museum Services 1 I OMB Number 3137-0071, Expiration date: 07/31/2010. Est. completion time: 20 min. Full burden statement in Guidelines. PROGRAM INFORMATION SHEET PAGE TWO 3. Request Information a. IMLS funds requested: $43,816.00 b. Cost share amount: $37,189.00 4. Museum Profile (Museum Applicants only) a. Is the institution either a unit of state or local government or a private not-for-profit organization that has tax-exempt status under the Internal Revenue Code and that is organized on a permanent basis for essentially educational or aesthetic purposes? Z Yes D No b. Does the institution own or use tangible objects, whether animate or inanimate? Z Yes D No c. Does the institution care for tangible objects whether animate or inanimate? Z Yes D No d. Are these objects exhibited by the institution to the general public on a regular basis through facilities the institution owns or operates? Z Yes 1 No e. Is the institution open and exhibiting tangible objects to the general public at least 120 days a year through facilities the institution owns or operates? Z Yes r No Institution's attendance for the 12-month period prior to the application: Onsite: 82,388 Offsite: Year the institution was first open and exhibiting to the public: 1990 Total number of days the institution was open to the public for the 12-month period prior to application: 306 f. Does the institution employ at least one professional staff member, or the fulltime equivalent, whether paid or unpaid, who is primarily engaged in the acquisition, care, or exhibition to the public of tangible objects owned or used by the institution? Z Yes D No Number of full-time paid institution staff: 32 Number of full-time unpaid institution staff: Number of part-time paid institution staff: 30 Number of part-time unpaid institution staff: 171 g. Fiscal year Revenue/ Expenses/ Budget deficit Budget surplus Support Income Outlays (if applicable)* (if applicable)* Most recently completed FY2009 $2,669,593.00 $2,849,292.00 $179,699.00 Second most recently completed FY2008 $2,788,007.00 $2,734,649.00 $53,359.00 *If Institution has a budget deficit or surplus for either of the two most recently completed fiscal years, please explain the circumstances of this deficit or surplus in the Text Responses section of the application. 5. Project Partners In the space below, please list the names of any organizations that are official partners in the project. All official partners must include a completed Partnership Statement Form in this package. UF Smather's Libraries, Norton Museum of Art, Lowe Art Museum, Morikami Museum, Museum of Fine Arts St. Petersburg, Patricia and Phillip Frost Art Museum, Polk Museum of Art, Appleton Museum of Art 6. Native Hawaiian Organization Eligibility (Native American/Native Hawaiian Programs only) Is the institution an eligible not-for-profit organization that primarily serves and represents Native Hawaiians (as defined in Title 20 U.S.C. Section 7517; if yes, see Proof of Eligibility requirements)? DYes Z No 2 I OMB Number 3137-0071, Expiration date: 07/31/2010. Est. completion time: 20 min. Full burden statement in Guidelines. PROGRAM INFORMATION SHEET PAGE THREE 7. Institutional Profile (Native American Library Services Grants only) a. Number of hours per week the library collection is accessible to patrons: b. Number of staff dedicated full-time to library operations: c. Number of staff with part-time library duties: d. Number of holdings (books, journals, media): e. Number of circulation transactions per year: f. Does library staff have access to the Internet? ] Yes 1 No g. Does the library provide public access to the Internet? E Yes 1 No h. Amount of operating budget for library services in most recently completed fiscal year: i. Identify which of the following activities will be supported by grant funds (check all that apply): D Expand services for learning and access to information and educational resources. D Develop library services that provide all users with access to information. D Provide electronic and other linkages between and among all types of libraries. D Develop public and private partnerships with other agencies and community-based organizations. D Target library services to help increase the access and the ability to use information resources for individuals of diverse backgrounds, with disabilities, or with limited functional literacy or information skills. D Target library and information services to help increase the access and the ability to use information resources for persons having difficulty using a library, and for underserved urban and rural communities. j. Maintenance of Effort (check the appropriate response): D FY 2009 expenditures will equal or exceed previous 12 month grant period. Maintenance of effort is assured. D FY 2009 expenditures will not equal or exceed previous 12 month expenditure. Maintenance of effort is not assured. D Maintenance of effort does not apply. 8. Collection and Material Information (Conservation Project Support Grants only) a. Type of Collection 1 Non-living 1 Animals, living b. Types of Materials. Use a scale from primarily affected by the project: E Natural history/Anthropology 1 Plants, living 1 (primarily affected) to 4 (minimally affected) to show which collection types are 3 I OMB Number 3137-0071, Expiration date: 07/31/2010. Est. completion time: 20 min. Full burden statement in Guidelines. aeronautics, space/airplanes horological (clocks) photography, negatives animals, live landscape features, constructed photography, prints animals, preserved machinery physical science projects anthropologic, ethnographic maritime, historic ships plants, live archaeological medals plants, preserved books medical, dental, health, sculpture, indoor Ceramics, glass, metals, plastics pharmacological sculpture, outdoor documents, manuscripts military, including weapons textiles and costumes furniture/wooden objects motion picture, audiovisual tools geological, mineral, musical instruments toys and dolls paleontological numismatics (money) transportation, excluding historic building paintings airplanes historic sites philatelic (stamps) works of art on paper Jan, 15, 2010 3:43PM Partnership Statement 1. Applicant Organization: University of Florida (Harn Museum of Art/UF Smathers Libraries) Other partner members: Appleton Museum of Art of Central Florida Community College, 4333 E Silver Springs Blvd., Ocala, FL 34470 2. Briefly list the activities that the partner institution has agreed to perform: Schedule time to meet with visiting museum consultants) Provide specific information related to Asian collections required for inventory Participate in one planning meeting at Florida Association of Museums Provide feedback about design requirements for searchable inventory 3. The applicant organization agrees to all of the following: Hiring and managing consultants Developing inventory questions for gathering data about collections Merging information to create a searchable inventory of Asian collections Sipatiu ofAuthorzin Official from Applicar Organization Sign of orizing Official from Parner OrganWtlon Brian C. Miller Assistant Director of Research _ NuWn of Authorizing Official femm Applicant Organization Nu of Authorizin Oial from Pw rStion Dat Duate No, 3861 P. 3/3 Jan. 15, 2010 3:37PM No. 3861 P. 2 January 15, 2010 National Leadership Grants for Museums Office of Museum Services Institute of Museum and Library Services 1800 M Street, NW, 9h Floor Washington, DC 20036-5802 Dear Review Panelist, Please accept this letter of support for the Samuel P. Ham Museum of Art's planning grant application. After participating in meetings convened by the project lead, Jason Steuber, I agree that there is much work to be done to eliminate some of the major barriers for us to share information about our Asian holdings. Knowing more about Asian collections in the state is the first step to building collaborative projects that will ultimately benefit museum visitors who are residents and tourists of Florida. The eventual development of a statewide digital portal will further advance access to these important but hidden assets and bring connections to these objectives that have yet to be imagined. The Appleton Museum of Art has quite a large collection of Asian works of art and we feel that this project will be of great benefit to our institution by helping us to understand how our works fit within the body of Asian holdings in museum's throughout the state. It will, therefore, help us to better serve our community as we gain a greater understanding of our Asian collection as we present it to our public. Sincerely, 4333 E Silver Springs Blvd. Ocala, FL 34470-5001 Tel. 352.291.4455 Fax 352.291-4460 www.applconmuseum.org APPLETON MUSEUM OF ART of CentMal FlHonda COmmuny College Partnernbip Statement 1. Applicant Organization: University of Florida (Harn Museum of Art/UF Smathers Libraries) Other partner members: The Patricia & Phillip Frost Art Museum, Florida International University, 10975 S.W. 17th Street, Miami, FL, 33199 2. Briefly list the activities that the partner institution has agreed to perform: Schedule time to meet with visiting museum consultants) Provide specific information related to Asian collections required for inventory Participate in one planning meeting at Florida Association of Museums Provide feedback about design requirements for searchable inventory 3. The applicant organization agrees to all of the following: Hiring and managing consultants Developing inventory questions for gathering data about collections Merging information to create a searchable inventory of Asian collections Ipamre of Author ng Oficl fo Applicant Orguiztion Signibaur of Authoritoegmc frm Partner OrCawnation Brian C. Miller Assistant Director of Research Name of Authdoriing Official from Applicant 0rsaniion Nons ofAudwhoring Official ftirn Partr Organiation Dte -.-.---E. 1 "-- I,- --" S *igyi'* . - - m IFrost Art Museum FLQRL&A INTERNAntOVTL UwNL i'ry 10975 SW 17th St Miami, FL 33199 01 305.345.28 0 f:305.3.2762 January 19, 2010 eartinfoNtu.Befu http:lhcfrunlt.fki.du National Leadership Grants for Museums Office of Museum Services Institute of Museum and Library Services 1800 M Street, NW, 9* Floor Washington, DC 20036-5802 Dear Review Panelist, Please accept this letter of support for the Samuel P. Ham Museum of Art's planning grant application. After participating in meetings convened by the project lead, Jason Steuber, I agree that there is much work to be done to eliminate some of the major barriers for us to share information about our Asian holdings. Knowing more about Asian collections in the state is the first step to building collaborative projects that will ultimately benefit museum visitors who are residents and tourists of Florida. The eventual development of a statewide digital portal will further advance access to these important but hidden assets and bring connections to these objectives that have yet to be imagined. Our museum, The Patricia and Phillip Frost Art Museum at Florida International University has a collection of Asian Art that has been in storage for years and has had little or no research done on it, except for a few objects on exhibition currently. We also have a significant Asian Program Endowment that will support our endeavors to mount exhibitions, do research, and organize programs, We believe once we can begin using the endowment, we will be able to contribute greatly to the project proposed by the Harm Museum. We look forward to collaborations within the state, sharing our resources and planning exhibitions that can travel for the benefit of all the institutions. FIU is a university with a large diverse community of students and a campus in China. The opportunity to promote Asian Art, and educate our students and the South Florida community about its history and cultural significance is one we must consider as part of our broader mission at the museum. We support the Samuel P. Harn Museum of Art's grant application and hope it will be given, consideration. Carol Damian Director and Chief Curator Florida Asian Art Collections Project Total Asian Art (continent/regmn) art works in Frost Art Museum Permanent Collection: 373 Countresrion reresented: 14 Ancient Gandhare region Cambodia China Himalaya Range India Indonesia Japan Kazakhstan Korea Thailand, Siam Tibet Turkey Uzbekistan Vietnam Date Ranges of works: 4700 B.C. late 20e century ObMict tWes: Paintings/works on paper: 71 Sculptures: 29 Textiles: 52 Ethnographic: 117 Ceramics: 7 Decorative Arts: 47 Jewelry: 2 Functional: 40 Furniture: 1 Ceremonial: 5 Other: 2 Partnership Statement 1. Applicant Organization: University of Florida (Ham Museum of Art/UF Smathers Libraries) Other partner members: Lowe Art Museum, University of Miami, 1301 Stanford Drive, Coral Gables, Florida 33124-6310 2. Briefly list the activities that the partner institution has agreed to perform: Schedule time to meet with visiting museum consultants) Provide specific information related to Asian collections required for inventory Participate in one planning meeting at Florida Association of Museums Provide feedback about design requirements for searchable inventory 3. The applicant organization agrees to all of the following: Hiring and managing consultants Developing inventory questions for gathering data about collections Merging information to create a searchable inventory of Asian collections Signature of "Gihorfing Official from Applicant Organization Sgature of Authorizing Official from Partner Organization Brtan C. Miller Assistant Director of Research .5% /, 4 Name of Authorizing Official from Applicant Organization Name of Authorizing Official from Partner Organization Date Date I. LOWE ART MUSEUM January 20, 2010 National Leadership Grants for Museums Office of Museum Services Institute of Museum and Library Services 1800 M Street, NW, 9th Floor Washington, DC 20036-5802 Dear Review Panelist, Please accept this letter of support for the Samuel P. Ham Museum of Art's planning grant application. After participating in meetings convened by the project lead, Jason Steuber, I agree that there is much work to be done to eliminate some of the major barriers for us to share information about our Asian holdings. Knowing more about Asian collections in the state is the first step to building collaborative projects that will ultimately benefit museum visitors who are residents and tourists of Florida. The eventual development of a statewide digital portal will further advance access to these important but hidden assets and bring connections to these objectives that have yet to be imagined. There are currently 5,177 objects in the Asian Collection at the Lowe Art Museum, University of Miami. At this point in time, these objects cannot be viewed by students and scholars interested in researching this material. Several years ago the Lowe undertook a project to fully digitize and update the data on our collection. The entire collection will be on-line through the Museum's redesigned website by Fall, 2010. The efforts of the Samuel P. Ham Museum of Art fully complement and support the efforts of the Lowe Art Museum, University of Miami to make our Asian Collection more accessible to our colleagues in the State as well as globally. Sincerely yours, Brian A. Dursum Director and Chief Curator Lowe Art Museum, University of Miami University of Miami 1301 Stanford Drive Coral Gables, FL 33124-6310 305 284 3535 Fax 305 284 2024 www.lowemuseum.org 19M, ilt LOWE ART MUSEUM LOWE ART MUSEUM, UNIVERSITY OF MIAMI BREAKDOWN OF THE ASIAN ART COLLECTION ARCHITECTURAL ELEMENTS = 77 CONTAINERS = 1,259 COSTUMES & ACCESSORIES = 361 EXCHANGE MEDIA = 0 FURNISHINGS = 136 INFORMATION FORMS = 307 MUSICAL INSTRUMENTS = 14 RECREATIONAL OBJECTS = 4 TEXTILES = 10 TOOLS & EQUIPMENT = 131 UNCLASSIFIED = 0 VISUAL WORKS = 2,856 [Within this there are paintings (320), drawings (78), prints (551), sculpture (1,734), and other (173)] WEAPONS & ARMOR = 22 TOTAL = 5,177 University of Miami 1301 Stanford Drive Coral Gables, FL 33124-6310 305 284 3535 Fax 305 284 2024 www.lowemuseumorg Af*o A^b~ Partnership Statement 1. Applicant Organization: University of Florida (Ham Museum of Art/UF Smathers Libraries) Other partner members: Morikami Museum and Japanese Gardens, 4000 Morikami Park Rd., Delray Beach, FL 33446 2. Briefly list the activities that the partner institution has agreed to perform: Schedule time to meet with visiting museum consultants) Provide specific information related to Asian collections required for inventory Participate in one planning meeting at Florida Association of Museums Provide feedback about design requirements for searchable inventory 3. The applicant organization agrees to all of the following: Hiring and managing consultants Developing inventory questions for gathering data about collections Merging information to create a searchable inventory of Asian collections stature of'Authorizing Official from Applicant Organization Signature of Authorizing Offic 1 from Partner Organization Name of Authorizing Official from Applicant Organization Name of Authorizing Official Partncr Organization Date Datej U SMORIKAMI MUSEUM AID JAPANESE GARDENS January 8, 2010 National Leadership Grants for Museums Office of Museum Services Institute of Museum and Library Services 1800 M Street, NW, 9th Floor Washington, DC 20036-5802 Dear Review Panelist, Judith Bronsteen Daniel DeMott Jan ice 0 forn Albert I Geller Norma C Gelter Eugene Goldberg Jon Herrmic Donald H Kohnken Hoich Kunrsu Alvin M Nalkn David Pernick Andrew M Saidel Frank Schnidman Yoshimi 0. Smith Nancy Stroud Mindy Tublitz Harriett S, Yarmis Donald T. Yoshino ... ",I ; nr i Bonnie White LeMay Tom Gregaersan Please accept this letter of support for the Samuel P. Ham Museum of Art's planning grant application. After participating in meetings convened by the project lead, Jason Steuber, I agree that there is much work to be done to eliminate some of the major barriers for museums in the state of Florida to share information about their Asian holdings. Knowing more about Asian collections in the state is the first step to building collaborative projects that will ultimately benefit museum visitors who are residents and tourists of Florida. The eventual development of a statewide digital portal will further advance access to these important but hidden assets and bring connections to objectives that have yet to be imagined. The project conceived by the Ham Museum therefore holds considerable appeal to the Morikami Museum, a museum of Japanese culture in Palm Beach County, Florida. Tracing its roots to a pioneering community of Japanese settlers that existed in the vicinity a hundred years ago, the Morikami Museum holds a collection of Japanese art and ethnographic materials representing the society that the Japanese pioneers left behind when they emigrated from their homeland shortly after 1900. The Ham Museum of Art's initiative should increase public awareness of Morikami, its focus, and the educational opportunities it offers by facilitating public access to its collection. The project will increase public exposure to Japanese art and culture and expand opportunities for the public to learn more about them in accordance with Morikami's mission. In addition the project will increase access to Morikami's collection by academics, students, and museum 4000 Morikami Park Road Delray Beach, FL 33446 P 561.495.0233 E 561.499.2557 [itJW !E 'i \ ,ll \\li 1IIJ David W Schmidt Thomas E Stieii Maurice Fulton Randal J. Baker June A. Gelb James Miliori Chieko Mihori 4 MORIKAMI Jf MUSEUM ANO JAPANESE GANOEN$ professionals and promote and encourage their research activities. It will facilitate Morikami staff's own access to information regarding the holdings of other like institutions and help support exhibition planning. Finally, it will increase meaningful contacts and dialog among peers representing museums with interests and goals similar to those of the Morikami Museum. For these reasons, the Morikami Museum is excited about the proposal initiated by the Ham Museum and supports the project wholeheartedly. Sincerely, Tom Gregersen / Cultural Director Morikami Museum and Japanese Gardens 4000 Morikami Park Road Delray Beach, FL 33446 P 561.495.0233 F 561.499.2557 v1J';%vw ilolr :t'! i ,''i Partnership Statement 1. Applicant Organization: University of Florida (Ham Museum of Art/UF Smathers Libraries) Other partner members: Museum of Fine Arts, 255 Beach Dr. N.E., St. Petersburg, FL 33701 2. Briefly list the activities that the partner institution has agreed to perform: Schedule time to meet with visiting museum consultants) Provide specific information related to Asian collections required for inventory Participate in one planning meeting at Florida Association of Museums Provide feedback about design requirements for searchable inventory 3. The applicant organization agrees to all of the following: Hiring and managing consultants Developing inventory questions for gathering data about collections Merging information to create a searchable inventory of Asian collections Signature oTrAut orizing Official from Applicant Organization .Brian C. Miller Assistant Director of Researcph Name of Authorizing Official from Applicant Organization /I xa@ Signature orizing Official from Partner Organization l A o E. ScL0o ap- Na orizing Official from Partoer Organization Date / ol AioT ^W^<0^ ^ 3 CIMUSEUM OF FINE A TS ST PETERSBUR G, FL O R I D A January 26, 2010 National Leadership Grants for Museums Office of Museum Services Institute of Museum and Library Services 1800 M. Street, NW, 9th floor Washington, D.C. 20036-5802 Dear Review Panelist, I am writing this letter in support of the Samuel P. Ham Museum of Art's planning grant application. After participating in meetings convened by the project leader, Jason Steuber, I agree that there is much work to be done to eliminate some of the major barriers that hinder us from sharing information about our Asian holdings. Knowing more about Asian collections in the state is the first step to building collaborative projects that will ultimately benefit museum visitors, whether they are Florida residents or visitors from across the world. The eventual development of a statewide digital portal will further advance access to these important but hidden assets, and bring connections that have yet to be imagined. The Museum of Fine Arts has significantly grown its Asian collection over the past decade. It now includes more than 500 art works, dating from the 9th century to the 20th century, and representing the highpoints of creativity from China, Japan, Korea, India, Tibet, and Southeast Asia, in paintings, prints, sculptures, textiles, photographs and other art objects. We recently acquired a major collection of twenty-five Tibetan bronzes from the 9t century onwards, a rare 18th-century Chinese silk kesi, and a large Han dynasty (206BC-220AD) ceramic tomb sculpture of a standing horse. The Museum has a significant carved wooden Jaina shrine from India, one of only seven known in museum collections worldwide. However, due to an extremely small staff, we are unable to research these important objects, or even photograph each item. This project grant would allow us to begin the documentation and research process and to share this information with colleagues throughout Florida and the world. With this knowledge, we can envisage potential future exhibitions and collection-sharing opportunities that would benefit the entire museum community. Thank you for your consideration of this application. Sincerely, . John E. Schloder Director 255 Beach Drive NE St. Petersburg, FL 33701-3498 Phone 727-896-2667 Fax 727-894-4638 --I Partnership Statement 1. Applicant Organization; University of Florida (Ham Museum of Art/UF Smathers Libraries) Other partner members: Norton Museum of Art, 1451 S. Olive Avenue, West Palm Beach, FL 33401 2. Briefly list the activities that the partner institution has agreed to perform: Schedule time to meet with visiting museum consultants) Provide specific information related to Asian collections required for inventory Participate in one planning meeting at Florida Association of Museums Provide feedback about design requirements for searchable inventory 3. The applicant organization agrees to all of the following: Hiring and managing consultants Developing inventory questions for gathering data about collections Merging information to create a searchable inventory of Asian collections Signature f uthorizing Official from Applicant Organization Signature of Authorizing Official from Partner Organization ( Brian C. Miller SAssistant Director of Research Name o Authorizing Official from Applicant Organization Name of Authorizing Official from Partner Organization Date Date JAN-21-2010 04: 11P FROM:NORTON MUSEUM (561) 659-4689 TO:913523923892 P.2 coQrne visit NORTON MUSEUM OF ART eev Wa an nrlH"al January 21, 2010 National Leadership Grants for Museums Office of Museum Services Institute of Museum and Library Services 1800 M Street, NW, 9th Floor Washington, DC 20036-5802 Dear Review Panelist, On behalf of the Norton Museum of Art please accept this letter of support for the Samuel P. Harn Museum of Art's planning grant application. After participating in meetings convened by the project lead, Jason Steuber, I agree that there is much work to be done to eliminate some of the major barriers for us to share information about our Asian holdings. Knowing more about Asian collections in the state is the first step to building collaborative projects that will ultimately benefit museum visitors who are residents and tourists of Florida. The eventual development of a statewide digital portal will further advance access to these important but hidden assets and bring connections to these objectives that have yet to be imagined. As a winner of the 2008 National Medal for Museum Service, the Norton Museum of Art takes its role as a leader in serving the community very seriously. Digitizing and connecting Asian collections throughout Florida to facilitate research is directly in line with the Norton's Mission to "...interpret its outstanding permanent collection and to educate the public through special exhibitions, publications and programs." This program also helps to strengthen awareness of the arts in our region, another important component of the Museum's Mission. The Museum works closely with local universities and professors to share information about our Chinese collection and broadening access to our collection will greatly enhance those relationships. We fully support the grant application being submitted by the Samuel P. Harn Museum of Art and look forward to partnering with them on his project. Thank you for your consideration of this proposal. Sincere Roger Ward Interim Director and Chief Curator Polk Museum of Art MORE THAN AN ART MUSEUM Partnership Statement 1. Applicant Organization: University of Florida (Ham Museum of Art/UF Smathers Libraries) Other partner members: Polk Museum of Art, 800 East Palmetto Street, Lakeland, Florida 33801 2. Briefly list the activities that the partner institution has agreed to perform: Schedule time to meet with visiting museum consultants) Provide specific information related to Asian collections required for inventory Participate in one planning meeting at Florida Association of Museums Provide feedback about design requirements for searchable inventory 3. The applicant organization agrees to all of the following: Hiring and managing consultants Developing inventory questions for gathering data about collections Merging information to create a searchable inventory of Asian collections Si ofAuhorizinmg Official from Applicant Oranition Srre ofAuthoriOffal m Partac Orgunization Bran C. Miller C' Aeistant Director of Research Name of Authorizing Official froun Applicant Organization Name of Authoring Official from Putner Organizantio Date Date 800 East Palmetto Sheet Lakeland, Florida 33801-5529 T 863.688.7743 F 863.688,2611 info@PolkMuseumcfArt.org www.PolkMuseumofArt.org ZG/ZG 39Vd JlV X f3SfnI >fl d 10d L. iL-doo00-t3a 8E.SGT OTB/SZ/se/ Polk Museum of Art MORE THAN AN ART MUSEUM January 25, 2010 National Leadership Grants for Museums Office of Museum Services Institute of Museum and Library Services 1800 M Street, NW, 9"' Floor Washington, DC 20036-5802 Dear Review Panelist, Please accept this letter of support for the Samuel P. Ham Museum of Art's planning grant application. After participating in meetings convened by the project lead, Jason Steuber, I agree that there is much work to be done to eliminate some of the major barriers for us to share information about our Asian holdings. Knowing more about Asian collections in the state is the first step to building collaborative projects that will ultimately benefit museum visitors who are residents and tourists of Florida, The eventual development of a statewide digital portal will further advance access to these important but hidden assets and bring connections to these objectives that have yet to be imagined. This project will prove to initiate a valuable resource for our community and another means through which the Polk Museum of Art will be able to share its collection with our audiences at-large. In this world which seems to continue growing ever-smaller, it is important to emphasize education on an international scale; this database for Asian art will provide an educational benefit for our schools to inform students about Eastern culture through art. This database will also benefit older students who can utilize its contents for research purposes. The Polk Museum of Art is more than willing to support this endeavor and is happy to offer information from our permanent collection. My best, aniel E. Stetso Executive Director 800 East Palmetto Street Lakelond, Florida 3380' -5529 T 863,688-7743 F 863.688.2611 info@PoikMuseumofAr .org www.PolkMuseumofArt.org O/T0 3B9Vd 1L1H iA, i--,. ...uIi TT9Z889E98 8E:ST 0tO/SZ/T0o -Lav ._TU fiI 1.3:31 IA /7 Jud Partnership Statement 1. Applicant Organization: University of Florida (Ham Museum of Art applicant organization) Other partner members: University of Florida Libraries 2. Briefly list the activities that the partner institution has agreed to perform: Schedule time to meet with visiting museum staff Provide specific information related to Asian collections for inventory Facilitate one planning meeting at Florida Association of Museums and other planning sessions throughout Phase II Provide cataloging and inventory consultation and for organizing metadata and creating searchable inventory Host online searchable inventory in the UF Digital Collections 3. The applicant organization agrees to all of the following: Hiring and managing consultants Developing inventory questions for gathering data about collections Merging information to create a searchable inventory of Asian collections nature of Aulhorzing Official from Applicant Organization S ra reof Authonnmg Official from Panner Organization A-ttnt 0 ,dwr of Rwerch "ih C Russell Name of Authorizing Official from Applicant Organtiation Name of Authonzing Official from Panner Organization a January 25. 2010 Date Date UF UNIVERSITY of UF FLORIDA George A. Smathers Libraries 535 Library West Office of the Dean of University Libraries PO Box 117000 Gainesville, FL 32611-7000 352-273-2505 352-392-7251 Fax www.uflib.ufl.edu January 25, 2010 National Leadership Grants for Museums Office of Museum Services Institute of Museum and Library Services 1800 M Street, NW, 9th Floor Washington, DC 20036-5802 Dear Review Panelist, The University of Florida Libraries is pleased to provide this letter supporting the Ham Museum of Art's planning grant application to inventory Florida's Asian collections. For many years, the Ham and the UF Libraries have collaborated on collection development, both for scholarly materials and digital objects. Together, we recently completed the digitization of the Ham's African bead collection, which include a few 360 degree rotating views of these intricate folk artifacts. Other examples of collaboration with the Ham include an ongoing exchange program where the Ham supplies their own published exhibition catalogs to the Libraries and adding the Ham Museum Bishop Study Center's books to the Libraries' catalog. We look forward to this exciting new partnership in planning a future portal for increasing access to Asian collections throughout Florida. This project is important to the Libraries as it supports the many UF students and faculty, as well as visiting scholars and teachers working in the field of Asian studies. The searchable inventory created in Phase II will be accessible through the UF Digital Collections and will join other resources currently featured in the Asian Studies Collections, which are part of the World Studies Collections. This proposal has our highest endorsement, as it will greatly advance the study and sharing of important information, currently unavailable, about Florida's Asian cultural assets. Respectfully, 4 /dith C. Russell Dean of University Libraries The Foundation for The Gator Nation An Equal Opportunity hIstitution I Delpartmelnl of, Ihe Treasury I RSInternal Revenue Service CINCINNATI OH 45999-0038 In reply refer to: 0248222119 Apr. 18, 2008 LTR 4168C EO 59-0974739 000000 00 000 00014424 BODC: TE UNIVERSITY OF FLORIDA FOUNDATION INC PO BOX 14425 GAINESVILLE FL 32604-2425255 006373 Employer Identification Number: Person to Contact: Toll Free Telephone Number: 59-0974739 Kaye Keyes 1-877-829-5500 Dear Taxpayer: This is in response to your request of Apr. 09, 2008, regarding your tax-exempt status. Our records indicate that a determination letter was issued in Jan. 1979, that recognized you as exempt from Federal income tax, and discloses that you are currently exempt under section 501(c)(3) of the Internal Revenue Code. Our records also indicate you are not a private foundation within the meaning of section 509(a) of the Code because you are described in sections) 509(a)(1) and 170(b)(1)(A)(vi). Donors may deduct contributions to you as provided in section 170 of the Code. Bequests, legacies, devises, transfers, or gifts to you or for your use are deductible for Federal estate and gift tax purposes if they meet the applicable provisions of sections 2055, 2106, and 2522 of the Code. If you have any questions, please call us at the telephone number shown in the heading of this letter. Sincerely yours, Michele M. Sullivan, Oper. Mgr. Accounts Management Operations I Internal Revenue Service .' Department of the Treasury District Director Date: MA Y .-, Employer Idtifcation Number: 59-0974739 ,' ",/ lAccounting Perioe ndins: -. .. 06/30 F.m 9F90 Required: )M Yes Q" No UNIVERSITY OF FLORIDA FOUNDATION INC. Pwun to Contact: P.O. '9M 4425 Donna Warnick GAINESVLLE .JFLOPRIDA ... 32604 Conact Telephone N r: 904-791-2636 Dear Applicant: Based on information supplied, and assuming your operations will be as stated in your application for recognition of exemption, we have determined you are exempt from Federal income tax under section 501(c)(3) of the Internal Revenue Code. We have further determined that you are not a private foundation within the meaning of section 509(a) of the Code, because you are an organization described in section 509(a)(1) & 170(b)(1)(A)(vi) If your sources of support, or your purposes, character, or method of operation change, please let us know so we can consider the effect of the change on your exempt status and foundation status. Also, you should inform us of all changes in your name or address. Generally, you are not liable for social security (FICA) taxes unless you file a waiver of exemption certificate as provided in the Federal Insurance Contributions Act. If you have paid FICA taxes without filing the waiver, you should contact us. You are not liable for the tax imposed under the Federal Unemployment Tax Act (FUTA). Since you are not a private foundation, you are not subject to the excise taxes under Chapter 42 of the Code. However, you are not automatically exempt from other Federal excise taxes. If you have any questions about excise, employment, or other Federal taxes, please let us know. Donors may deduct contributions to you as provided in section 170 of the Code. Bequests, legacies, devises, transfers, or gifts to you or for your use are deductible for Federal estate and gift tax purposes if they meet the applicable provisions of sections 2055, 2106, and 2522 of the Code. The box checked in the heading of this letter shows whether you must file Form 990, Return of Organization Exempt from Income tax. If Yes is checked, you are required to file Form 990 only if your gross receipts each year are normally more than $10,000. If a return is required, it must be filed by the 15th day of of the fifth month after the end of your annual accounting period. The law imposes a penalty of $10 a day, up to a maximum of $5,000, when a return is filed late, unless there is reasonable cause for the delay. 400WM I I., JadiiM Mlft. 320 o(ev) Letter 947(DO) (S5-77) You are not required to file Federal income tax returns unless you are subject to the tax on unrelated business income under section 511 of the Code. If you are subject to this tax, you must file an income tax return on Form 990-T. In this letter, we are not determining whether any of your present or proposed activities are unrelated trade or business as defined in section 513 of the Code. You need an employer identification number even if you have no employees. If an employer identification number was not entered on your application, a number will be assigned to you and you will be advised of it. Please use that number on all returns you file and in all correspondence with the Internal Revenue Service. ..... ' because this letter could help resolve any questions about your exempt status and foundation status, you should keep it in your permanent records. If you have any questions, please contact the person whose name and telephone number are shown in the heading of this letter. Sincerely yours. (S ^gi.IL&c District Director This determination letter modifies our letter of Jan 30, 1979, holding you exempt under section 501(c)(3) to the extent that it is inconsistent with this letter. Leter 947(00D) (5-77) Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art List of Key Project Staff and Consultants Bess de Farber C. David Hickey Hikaru Nkano Sarah Smith Jason Steuber Laurie N. Taylor, PhD Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art JASON STEUBER US Address Telephone 3631 NW 107th Terrace Gainesville, FL 32606 352.682.1411 jsteuber@harn.ufl.edu AREAS OF EXPERTISE Museum professional with over 15 years of curatorial and project management experience with AAM- accredited (American Association of Museums) museum. Focused art historian with 8 years of university teaching experience and curriculum development in the United States and Europe. Dedicated to making art accessible to wider audiences. * Museum Collection Management * Scholarly Publications and Editing Proven expertise in the following areas: Education Outreach Supervision and Training Program Development Focus Exhibitions Courier Leadership and Grant Writing Exhibition Concept and Design * University Teaching * Project and Budget Management * Community Outreach * Acquisitions * Donor Cultivation PROFESSIONAL EXPERIENCE 2008- Cofrin Curator of Asian Art Samuel P. Ham Museum of Art University of Florida 2006-2007 2005-May 2006 2002-May 2006 2001-May 2006 Gainesville, FL Leverhulme Trust Visiting Fellow Glasgow University Glasgow, UK Adjunct Assistant Professor of Art History Johnson County Community College Overland Park, KS Assistant Curator of Chinese Art The Nelson-Atkins Museum of Art Kansas City, MO Adjunct Instructor University of Missouri-Kansas City Kansas City, MO Curatorial Assistant The Nelson-Atkins Museum of Art Research Assistant The Nelson-Atkins Museum of Art Chinese Art Student Intern The Nelson-Atkins Museum of Art Kansas City, MO Kansas City, MO Kansas City, MO 1998-2001 1997-1998 1994-1996 Helios: Connecting Florida's Asian Collections University of Florida/Harn Museum of Art 1993-1994 English Language Instructor Nanjing University Nanjing, PR China EDUCATION 2007- Art History Ph.D. Glasgow University (ABD) Topic: "The 1935/36 International Exhibition of Chinese Art" 2000-2005 Ph.D. studies, University of Missouri-Kansas City Disciplines: Art History and Religious Studies Required Ph.D. coursework completed 1996 M.A. in East Asian Languages and Cultures, University of Kansas 1993 B.A. in Chinese History; B.A. in East Asian Languages and Cultures, University of Kansas Grants Awarded The E. Rhodes and Leona B. Carpenter Foundation Tang Research Foundation Select Publications 2010 Samuel P. Harn Museum of Art: Twenty Years, The Collection Catalogue (Co- edited by Jason Steuber, Laura Nemmers, and Tracy Pfaff) (Co-edited with Laura Nemmers and Tracy Pfaff). Forthcoming. 2010 "Otagaki Rengetsu and Bai Ming: Ceramics Firsthand at the Samuel P. Harn Museum of Art, University of Florida" Ceramics: Art and Perception Issue No. 81 (September 2010). (Co-authored with Laura Nemmers). Forthcoming. 2009 "Essential Treasures of Modem Indian Art: Works by Jamini Roy at the Samuel P. Harn Museum of Art" Arts of Asia Vol. 39 No. 6 (November- December 2009), 112-124. (Co-authored with Allysa Browne). 2009 "Arts of China: Collecting and Collectors, Then and Now" Arts of Asia Vol. 39 No. 6 (November-December 2009), 140-141. 2009 "Symposium Report: Collectors, Collections and Collecting the Arts of China: Histories and Challenges" Orientations (May 2009), 80-81. 2009 "Collections and Collecting" Encyclopedia of Modern China (4 Vols.) (Detroit: Charles Scribner's Sons, 2009), Vol. 1: 306-309. 2008 "Tradition and Innovation: Director Marc F. Wilson and Chinese Art at The Nelson-Atkins Museum of Art" Orientations (November-December 2008), 48-55. 2008 China: 3000 Years of Art and Literature. Welcome Books (October 2008). Helios: Connecting Florida's Asian Collections University of Florida/Harn Museum of Art Bess de Farber, MNM, CPF (Master of Nonprofit Management; Certified Professional Facilitator) 4300 NW 23 Ave., #36 4697 Canal Drive Gainesville, FL 32606 Boynton Beach, FL 33463 Work: (352)339-6970 501c3@askbess.net (Second residence) VITAE (abbreviated) University of Florida Libraries Grants Manager (October 2008 to present) Establishing a grants seeking program for training and mentoring librarians and staff in grant seeking and post award activities with emphasis on planning collaborative projects within UF and beyond. Managing all grant-related activities. Consistently working with Division of Sponsored Research, pre and post award, to ensure compliance. ASK Associates, South Florida Principal (May 1995 to present) Services include: facilitating strategic planning retreats; performing environmental scans, writing and managing grants; developing projects and collaborations; creating feasibility studies; advising executives and board members on management issues; and training staff members to perform grants and other management functions. Clients have included organizations focused on arts, culture, community development, healthcare, social services and philanthropy. University of Arizona Libraries Grants & Revenue Manager (May 2005 to September 2008) Creating the Libraries' first pre and post award grants management processes: including a grants seeking program for training and mentoring librarians and staff in grant seeking and post award activities with emphasis on collaborative projects. Managing all grant-related activities. School of Information & Library Services professor of grant writing for graduate course for librarians. Nonprofit Resource Institute Co-Founder, Interim Executive Director, Consultant (May 1998 through February 2001) Co-founder of NRI utilizing asset-based model for providing technical assistance and training to over 400 participants in: Strategic Planning; Governance/Operations; Funding; Programs/Evaluation; Marketing/Communications. Collaborating with funders to strengthen nonprofit grantee compliance. (Quantum Foundation, MacArthur Foundation, Community Foundation, Lost Tree Foundation, United Way, Palm Healthcare Foundation, and Children's Services Council). Community Foundation for Palm Beach & Martin Counties Program Officer (October 1994 May 1995) Managing grant cycles of applications seeking funding for Social Service, Human & Race Relations, and Arts/Cultural programs in Palm Beach and Martin Counties. Palm Beach County Cultural Council Director of Grants & Organization Services (September 1989 October 1994) Grants management of $2 million in public Tourist Development Cultural Activities funds annually to 45 Palm Beach County cultural organizations. Pinellas County Arts Council Financial Manager (May 1985 September 1989) Arts in Education Programs Manager (1987- 89) Full charge of all financial activity ($400,000 annual budget) of public/private local arts agency, implementing fund accounting. Managing all grant programs including local, state and re-granting programs, and coordinating local and state government audits. Negotiating artist contracts; managed professional artists for Arts-in-Education program. Sample ASK ASSOCIATES Client List for Arts and Culture Organizations (1995 through 2009) Helios: Connecting Florida's Asian Collections University of Florida/Harn Museum of Art Armory Art Center: Completed an Artists Association Program Feasibility Study City of Delray Beach, Arts in Public Places: Facilitated three Community Meetings City of West Palm Beach Art in Public Places Committee: Facilitated Annual Planning Retreat EPOCH and the Spady Museum: Completed a local environmental scan, internal organizational assessment, and facilitated planning retreats, which produced a comprehensive strategic plan. FAU School of the Arts: Provided Grants Writing training, Planning Facilitation, Grants Management Hispanic Alliance of Palm Beach County: Provided Board Training and Strategic Planning Services Historical Society of Palm Beach County: Providing ongoing Grants Management Services Jewish Arts Foundation: Provided Visioning, Environmental Scan and Strategic Planning Facilitation Morikami Museum & Japanese Gardens: Grants Management and Strategic/Program Planning Services; Preparation of Application to obtain Accreditation from American Association of Museums; Facilitated Board and Staff Strategic Planning retreats and meetings Mounts Botanical Gardens: Facilitated Board Planning Retreat; and provided Grants Management Norton Museum of Art: Grants Management training session Old School Square Cornell Museum: Provided Environmental Scan and facilitated Visioning Process Palm Beach Photographic Centre: Provided Grants Management; Program/Festival Development; Collaboration Development; Planning Facilitation Services Preservation Foundation of Palm Beach: Strategic Planning Services for Executive Committee EDUCATION 2003 International Association of Facilitators: Completed certification, recertification in 2009 2003 Florida Atlantic University, Boca Raton, FL, Master's in Nonprofit Management 1978 University of Southern California, Los Angeles, CA: Bachelor of Music INSTRUCTOR/WORKSHOP PRESENTER/FEATURED SPEAKER 2009 University of Florida, CoLAB Planning Session for College of Fine Arts faculty 2008 University of Arizona,Transforming Libraries Through Collaborations Conference: Leader, CoLAB Planning 2008 University of Arizona Bio5 CoLAB Planning Session for faculty 2007 Association of College & Research Libraries Biennial Conference Workshop: "Library as Convener: Collaborations that Build Creative Academic Communities" 2007 & 2008 Community Foundation for Broward: CoLAB Planning Workshops 2006 CoLAB Networking Workshop for Sonoran Desert Knowledge Exchange Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Curriculum Vita C. David Hickey Asian Studies Bibliographer / Associate Librarian P. O. Box 117005 Gainesville, Florida 32611-7005 352-273-2779 cdhickey@ufl.edu http://libguides.uflib.ufl.edu/asian studies Work Experience: University of Florida George A. Smathers Libraries, October 2000 to present, Asian Studies Bibliographer: Responsible for the overall development and management of the Asian Studies collections, including selecting and evaluating materials in both print and electronic media. Specifically as Chinese Collection Manager and Japanese Collections Coordinator, coordinates all aspects of native script and western language collection development and management, collaborates with academic faculty in building up holdings to support current and future programs, and provides on-demand subject reference service and bibliographic instruction. Awarded tenure in 2007. University of Florida Smathers Libraries, July 1995 to October 2000, Chair, Access Services Department, and Chinese Collection Manager: Provided leadership in the development, coordination and provision of services that facilitate user access to information resources in the Smathers Libraries. Served as a member of the management team in establishing library programs and setting policies, especially those covering public services. Slippery Rock University of Pennsylvania Bailey Library, Slippery Rock, Pennsylvania, January 1992 to June 1995, Access Services Librarian/Coordinator of NOTIS Online Library System: Responsible for overall supervision of automated systems, interlibrary loan and circulation, including reserves, stack control, library privileges and photoduplication services. Georgetown University Lauinger Library, Washington D. C., September 1979 to July 1991, Head of the Circulation Department: Responsible for ongoing automated operations, access privileges, Reserve section, ILL, stack control and exit security. Performed full-time research in Ph.D. program July 1991 to January 1992. Northwestern University Library, Evanston, Illinois, March 1977 to September 1979, Assistant Head of Circulation Services: Supervised Library exit control, study space assignments, fines and billing, Library limited access and borrowing procedures, and computerized circulation activities. Center for Research Libraries, Chicago, Illinois, July 1976 to March 1977, Assistant Circulation Librarian; United States Navy, 1969 1973, Commissioned Officer: Helios: Connecting Florida's Asian Collections University of Florida/Harn Museum of Art Administrative Assistant in Manned Spacecraft Recovery Section, Hawaii during Apollo 17 and early Skylab missions; Advisor to South Vietnamese Navy, Nha Trang; Administrative Assistant in Operations Department, USS Oklahoma City (CLG-5), based in Yokosuka, Japan. Education: PhD coursework in Chinese Literature/Language, with minors in Applied Linguistics and East Asian History, Georgetown University, 1982-1996-completed all requirements but dissertation; AMLS in Library Science, University of Michigan, 1976; MA in Chinese Studies, University of Michigan, 1975; AB in Russian Literature, University of Notre Dame, 1969. Refereed Publications: 1. Hickey, C. David. "Area Studies Libraries in the Global Studies Milieu: Implications for Non-Roman Script Print Resource Management, and University Library Budgets and Staffing." Library Collections, Acquisitions and Technical Services 30, nos. 1-2 (2006): pp. 77 84. 2. Hickey, C. David and Jade Yurong Yang Atwill. "Area Studies Librarians and International Book Fairs: The Hong Kong Book Fair Experience." Library Collections, Acquisitions and Technical Services 27, no.1 (2003): pp. 97 105. 3. Hickey, C. David and Shelley Arlen. "Falling Through the Cracks: Just How Much 'History' is History?" Library Collections, Acquisitions and Technical Services 26, no. 2 (2002): pp. 97 106. 4. Hickey, C. David. "Serials 'Derelegation' from Remote Storage." Collection Building 18, no. 4 (1999): pp. 153 160. National Organization Service: Association for Asian Studies (AAS), Council on East Asian Libraries (CEAL): Elected by the national membership to be Chair of the CEAL Public Services Committee (CPS), 2005-2008. April 2005 present; as Chair of one of the six major Standing Committees and as nationally elected Member-at-Large, served on the CEAL Executive Board twice. January 11, 2010 Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Sarah J Smith 1025 SW 2ND Pl Gainesville, FL 32601 -~ (772) 342-1128 ssmith@harn.ufl.edu Education Master of Arts, Museum Studies with a disciplinary focus in Art History (pending) University of Florida, Gainesville, Florida August 2008- Present Bachelor of Arts, Art History University of Florida, Gainesville, Florida August 2004-December 2007 Associate of Arts, General Education Santa Fe Community College, Gainesville, Florida August 2002-May 2004 July 2009- Present March 2009- June 2009 February 2009- July 2009 August 2008- May 2009 May 2008- August 2008 Relevant Work Experience & Training Curatorial Assistant, Samuel P. Harn Museum of Art, Gainesville, Florida Assisting the Asian art curator with various registration and curatorial related tasks including: cataloguing new acquisitions, Asian gallery installations, research, updating Asian object files and facilitating the movement and safe handling of Asian art objects in preparation for the 2010 opening of the new Asian art wing. Art Cataloguer, University of Florida Levin College of Law, Gainesville, Florida Conducted a complete inventory of the entire Levin College of Law's art collection. Main responsibility included generating a database for the collection of over 400 art objects. The project required locating objects, recording all object information, taking photographs, condition reporting, assigning object descriptions and creating a numbering system for the collection. Independent Practicum, Samuel P. Harn Museum of Art, Gainesville, Florida Assisted with a special project in the registration department which included preparing over 700 photos for return to lender. Responsibilities included: organizing, locating, un-framing, re-housing into temporary storage, numbering, tracking progress, condition reporting, re-housing to final storage location and transportation to lender. Juried Arts Exhibition Coordinator, University Galleries, Gainesville, Florida Coordinated the 2009 School of Art and Art History Student Juried Arts Exhibition (SAAHJE 09). Duties included: planning and organizing opening event and installation, managing awards and budget, working with artists and gallery staff to install and de-install show. Responsible for general gallery duties including installing rotating exhibitions and working opening events. Coordinator of Exhibition Design and Installation, University of Florida School of Accounting, Gainesville, Florida Responsible for designing an installation focused on the history of accounting for the Fisher School of Accounting Gallery. The 1900 sq ft gallery space included 7 cases December 2007- August 2008 May 2007 - August 2008 January 2006 - August2006 May 2006 - August 2006 January 2002 - Present Helios: Connecting Florida's Asian Collections University of Florida/Harn Museum of Art that needed redesigning. Responsibilities included: writing text, designing layout and illustrations for text panels, building mounts and conserving/preparing artifacts for display. The project was done under the supervision of School of Accounting and in conjunction with a freelance graphic designer. Registration Assistant, Samuel P. Ham Museum of Art, Gainesville, Florida Responsibilities included: location changes, packing and shipping art, condition reporting for the collection, file making and organizing of the documentary collection and re-housing objects into storage facilities. Acted as the contact person for university faculty members for use of the museum's object study room. Coordinated the University Campus Loan Program overseeing the loan arrangement, transportation and installation of art to university buildings. Installation Assistant, Samuel P. Harn Museum of Art Assisted in the installation and de-installation of galleries. General gallery preparation including: label making, painting, moving pedestals and vitrines, vinyl lettering, assisting with gallery change outs and framing. Assisted with photo shoots, aided in the inventory of the collection and frames, assisted with the organization of the storage facilities. Registration Department Intern, Samuel P. Harn Museum of Art Entered data into the collections management database (TMS), assisted with the re- housing and relocation of objects for the summer renovation, assisted preparation staff with installations, created exhibition files, made loan and shipping arrangements. Preparation Department Intern, Samuel P. Harn Museum of Art Assist with the de-installation of all galleries during summer renovation, prepared art for shipping, make wall labels and vinyl lettering, painted and organized woodshop. Other Work Experience Customer Service, Classic Comfort Footwear, Gainesville, Florida Responsible for updating inventory, placing orders and sales; create monthly schedules for all employees; general upkeep and maintenance of store; responsible for store displays and appearance; Receiving and shipping of inventory; customer service. Volunteer Experience Participated in the Ham Museum of Art MUSE Program during the spring semester of 2005. The Museum University Student Educator program created and organized events for Museum Nights. Skills Proficiency in computer applications Microsoft Office, Microsoft Works, Adobe Photoshop, Adobe Illustrator, The Museum System (TMS: Collection management database), Signlab Read French Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art SHORT CURRICULUM VITAE Laurie N. Taylor Interim Director, Digital Library Center University of Florida Libraries ADDRESS: Digital Library Center TEL: (352) 273-2900 Sn.iliicri Library FAX: (352) 846-3702 P.O. Box 117003 EMAIL: Laurien@ufl.edu University of Florida Gainesville, FL 32611-7003 EDUCATION: Ph.D. 2006 University of Florida (English/Digital Media) M.A. 2002 University of Florida (English/Digital Media) B.A. 1999 Jacksonville University (English) RECENT POSITIONS HELD 2008 Interim Director, Digital Library Center, George A. Sin.ilicir, Libraries, University of Florida 2007 2008 Digital Projects Librarian, Digital Library Center, George A. Smathers Libraries, University of Florida 2006- 2007 Associate Director, Flexible Learning, Division of Continuing Education, University of Florida 2000- 2006 Instructor, College of Liberal Arts & Sciences, University of Florida PROFESSIONAL AFFILIATIONS Editorial Board, International Journal of Gaming and Computer-Mediated Simulations Modern Language Association American Library Association Library & Information Technology Association GRANTS Caribbean Newspaper Digital Library (Department of Education; 2009-2014) Florida Aerial Photographs / From the Air: the Photographic Record of Florida's Lands, Phase III (Library Services and Technology Act, 2009-2010) America's Swamp: the Historical Everglades (National Historic Publications and Records Commissions, 2009-2011) PUBLICATIONS Selected Referred Publications "Snow White in the City: Teaching Fables, Nursery Rhymes, and Revisions in Graphic Novels," in Approaches to Teaching the Graphic Novel. Ed. Stephen E Tabachnick. New York: MLA, forthcoming 2009. Playing the Past: Video Games, History, and Memory, co-edited with Zach Whalen. Nashville, TN: Vanderbilt University Press, 2008. "Bioactive," in Gaming in Academic Libraries Casebook, co-authored with Sara Russell Gonzalez, Valrie Davis, Carrie Newsom, Chelsea Dinsmore, Cynthia Frey, and Kathryn Kennedy. Ed. Amy Harris and Scott Rice. ACRL, 2008. Helios: Connecting Florida's Asian Collections University of Florida/Harn Museum of Art "Gaming Ethics, Rules, Etiquette and Learning." Handbook of Research on Effective Electronic Gaming in Education. Ed. Richard E. Ferdig. Information Science Reference, 2008. "Making Nightmares into New Fairytales: Goth Comics as Children's Literature," in The Gothic in Children's Literature: Haunting the Borders. Eds. Anna Jackson, Karen Coats, and Roderick McGillis. New York: Routledge, 2008:195-208. "Console Wars: Console and Computer Games," in The Player's Realm: Studies on the Culture of Video Games and Gaming. Eds. J. Patrick Williams and Jonas Heide Smith. Jefferson, NC: McFarland Press, 2007: 223-237. "Cameras, Radios, and Butterflies: the Influence and Importance of Fan Networks for Game Studies." Fibreculture Journal 8 (2006): http://journal.fibreculture.org/issue8/issue8_taylor.html. "Playing in Neverland: Peter Pan Video Game Revisions," collaboratively written with Cathlena Martin, in J. M. Barrie's Peter Pan In and Out of Time: A Children's Classic at 100. Eds. Carole Anita Tarr and Donna White. Scarecrow Press, 2006. "Positive Features of Video Games," in Handbook of Children, Culture, and Violence. Eds. Nancy E. Dowd, Dorothy G. Singer, and Robin Fretwell Wilson. Thousand Oaks, CA: Sage, 2005. 247-265. "Gaming's Non-Digital Predecessors," collaboratively written with Cathlena Martin, in The International Digital Media & Arts Association Journal 2.1 (Spring 2005): 25-29. "Practicing What We Teach: Collaborative Writing and Teaching Teachers to Blog," co- authored with Cathlena Martin, in Lore: an E-Journal for Teachers of Writing (Fall 2004): http://www.bedfordstmartins.com/lore/digressions/content.htm?dis12. "Open Source and Academia," co-authored with Brendan Riley, in Computers and Composition Online (Spring 2004): http://www.bgsu.edu/cconline/tayloriley/intro.html. "When Seams Fall Apart: Video Game Space and the Player," in Game Studies: the International Jounral of Computer Game Research 3.2 (Dec. 2003): http://www.gamestudies.org/0302/taylor/. SELECTED PRESENTATIONS "Practical Steps Towards Your Local and/or Regional Digitalisation Project," at the Seminar for Libraries of the Dutch Caribbean Curagao, University of the Netherlands Antilles. Willemstad, Curagao: September 25-6, 2008. "Bioactive: A Game for Library Instruction" at the ALA Annual Conference. Anaheim, CA: June 30, 2008. "The Digital Library of the Caribbean (dLOC)" in the "Microfilm to Digitization Roadshow: Hidden Treasures in the Vault" hosted by the OCLC Preservation Service Centers at the ALA Annual Conference, Anaheim, CA: June 29, 2008. "Choices for Building Digital Libraries" at the College of the Bahamas' Virtual Library Committee at the College of the Bahamas, Nassau, Bahamas; Mar. 3, 2008. Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Asian Art Curatorial Assistant Job Description Position to be filled by April 2010 ACADEMIC AND PROFESSIONAL ACTIVITIES 40% of time * Asian art collection review of accession files to update and organize according to region, date, material, etc. * Research into issues of provenance and significant studies on the respective topics based on region. * Manage the database of compiled research and respective files. * Generate original research files that will be used to develop an Asian art catalogue of the collection. * Generate original articles and manuscripts based on the Asian art collection with curator and academic publishers. * Assist in manuscript acquisitions and assist in content reviews and editorial processes. * Generate original articles and manuscripts in collaboration with curator and academic publishers. EXHIBITION DEVELOPMENT AND IMPLEMENTATION 40% of time * Assist curator in research to develop exhibitions (original and loan) for exhibition schedule. * Propose exhibitions following established guidelines and procedures. * Assist curator in implementation of exhibitions, including gallery design, text and label writing, catalogue writing, budget oversight, and fulfillment of any contractual obligations with external lenders. * Assist curator in docent training and Ham staff tours for every exhibition curated COLLECTION PHOTOGRAPHY AND ART HANDLING -10% of time * Assist in organizing the professional photography of the Asian art collection. * Work with Registration and Preparation colleagues. * Professional art handling best practices. ADMINISTRATIVE ACTIVITIES 10% of time * Participate in the preparation of overall annual exhibition budgets * Serve on Ham committees and participate in other administrative projects as managed Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Supporting Documentation Overview of Florida Association of Museums 2008-09: Asian Art in Florida During the 2008 Florida Association of Museums (FAM) meeting in Miami, a meeting was held on Florida and Asian Art: Collectors, Museums, and Artworks. The meeting was to focus on historical points of view that explore and answer the question: What is unique about Florida's Asian art resources and collections? In developing the answer to this question, the participants sought to plan the development of a network of professionals and collectors associated with Asian art in Florida that would communicate through the next year to have a shared resource of contact people and museum locations and holdings. The meeting was attended by: Session Leader: Jason Steuber, Cofrin Curator of Asian Art, Samuel P. Ham Museum of Art Laurie Barnes, Elizabeth B. McGraw Curator of Chinese Art, Norton Museum of Art Brian Dursum, Director, Lowe Art Museum Tom Gregersen, Cultural Director, The Morikami Museum Chang Qing, The Dr. Helga Wall-Apelt Associate Curator of Asian Art, The John and Mable Ringling Museum of Art At the 2009 FAM annual in Sarasota, the discussion continued with the conference session "The State of the Field: Contemporary Asian Art." This was the second of three planned conference sessions gathered Asian art curators and museum professionals to discuss the roles of the arts of Asia in Florida collections. The 2009 meeting focused on collection development strategies and exhibition resources related to the field of contemporary Asian art. Participants in the session reviewed past experiences and exhibitions in Florida, and future plans. Topics discussed included plans for future exhibitions, projects, and publications, acquisition plans, working with contemporary artists, and feasibility studies on exhibit collaboration across Florida related to contemporary Asian art. Other goals of the session will be to work toward developing a topic or media that can be exhibited and discussed across Florida museum collections in 2010. The meeting was attended by: Session Leader: Jason Steuber, Cofrin Curator of Asian Art, Samuel P. Ham Museum of Art Laurie Barnes, Elizabeth B. McGraw Curator of Chinese Art, Norton Museum of Art Brian Dursum, Director, Lowe Art Museum Chang Qing, The Dr. Helga Wall-Apelt Associate Curator of Asian Art, The John and Mable Ringling Museum of Art James Herring, Frost Art Museum, Florida International University; and Catalina Jaramillo, Frost Art Museum, Florida International University Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art The select bibliography below cites earlier exhibitions focusing on Asian collections for a specific city, state, or the entire United States. Arranged chronologically, the bibliography demonstrates that universities were among the first organizers for such location-specific, Asian-collection-specific exhibitions. It is noteworthy that as early as 1981 and 1983 exhibitions were organized and catalogues printed for Asian collections at the University of Florida as well as in Tampa, Florida, respectively. Helios: Connecting Florida's Asian Collections improves on these previous models by fully utilizing new technologies and research methodologies expected by today's general public and seasoned scholars of Asia. The ability of the Helios project to continuously be updated and share information immediately with on-line visitors either at home or via mobile internet-ready technologies will enhance the overall appreciation of Asian collections throughout Florida. The open collaborative nature of the Helios project encourages scholars and novices alike to engage Asian collections throughout the state by providing a single source portal that is easily navigated and information rich. Laurence Sickman, et al. Masterpieces ofAsian Art in American Collections. New York: Asia Society, 1960. University Gallery, University of Minnesota. Far Eastern Art from Minnesota Collections: An Exhibition of Ceramics, Tomb Figures and Sculpture, Bronzes and Lacquer Objects, Piou,, i,, g, and Graphics. Minneapolis: The Gallery, 1970. Martie W. Young. Far Eastern Art in Upstate New York. Ithaca: Office of University Publications, Cornell University, 1976. Jane Langley Corrigan and University of Wisconsin--Milwaukee Fine Arts Galleries. Asian Art from Milwaukee Collections: An Exhibition Organized by Jane Langley Corrigan, the Fine Arts Galleries, the University of Wisconsin- Milwaukee. Milwaukee: The Galleries, 1977. Roy C. Craven, Jr., et al. The Art of India from Florida Collections. Gainesville: University Gallery, College of Fine Arts, University of Florida, 1981. Daphne Lange Rosenzweig. East by South-East: Tampa Bay Collects Asian Art. Tampa: The Tampa Museum, 1983. Cincinnati Art Museum. Cincinnati Collects Oriental Art. Cincinnati: The Museum, 1985. Susan Tai and Santa Barbara Museum of Art. Cultivated Taste: Asian Art from Private Collections. Santa Barbara: Santa Barbara Museum of Art, 1991. Amy G. Poster, with contributions by Richard M. Barnhart and Christine M. E. Guth. Crosscurrents: Masterpieces of East Asian Art from New York Private Collections. New York: Japan Society, 1999. Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Helios Partners: Appleton Museum of Art, Central Florida Community College 4333 E Silver Springs Blvd. Ocala, FL 34470-5001 The Patricia & Phillip Frost Art Museum, Florida International University 10975 S.W. 17th Street Miami, FL 33199 Lowe Art Museum, University of Miami 1301 Stanford Drive Coral Gables, Florida 33124-6310 Morikami Museum and Japanese Gardens 4000 Morikami Park Road Delray Beach, FL 33446-2305 Museum of Fine Arts 255 Beach Dr. N.E. St. Petersburg, FL 33701 Norton Museum of Art 1451 S. Olive Avenue West Palm Beach, FL 33401 Polk Museum of Art 800 East Palmetto Street Lakeland, Florida 33801-5529 Samuel P. Harn Museum of Art, University of Florida SW 34th Street and Hull Road Gainesville, FL 32611-2700 Digital Library Center, University of Florida Smathers' Libraries PO BOX 117003 Gainesville, FL 32611-7003 Future Helios Partners: Cummer Museum of Art & Gardens 829 Riverside Avenue Jacksonville, FL 32204-3336 Museum of Arts & Sciences 352 S. Nova Road Daytona Beach, Florida 32114 John & Mable Ringling Museum, Florida State University 5401 Bay Shore Road Sarasota, FL 34243-2161 Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Florida Universities with Asian-related Programs Public Universities: Florida Agricultural and Mechanical University www.famu.edu Asian Humanities Asian History Florida Atlantic University www.fau.edu Asian Studies Intro to Asian History Chinese Language and Culture Japanese Language and Culture Modem China, India, and Japan Asia Pacific Rim Politics Florida Gulf Coast University www.fgcu.edu Intro to Asian Studies Civilizations of Asia: China & Japan Asian Environments History of Modem Japan Florida International University www.fiu.edu Asian Studies, Institute for Asian Studies Asian Studies Graduate Certificate Asian Studies, Institute for Asian Studies Japanese Studies Certificate Japan and US Religion and Japanese Culture Japanese Literature and Cinema Chinese & Japanese Philosophy Asian Environmental Issues Economics of Asia Zen and Tea Ceremony Japanese Language Pre-modem Japan New Asian Century Japanese Religion and Society Zen and the Arts Florida State University www.fsu.edu Asian Studies, College of Social Sciences Asian Studies, College of Social Sciences Asian Studies Minor Japanese Language History of Modem Japan Japanese Culture Japanese Politics Arts of Japan New College of Florida www.ncf.edu Buddhism Orientalism Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Japanese Politics University of Central Florida www.ucf.edu Asian Studies, Department of Political Science Politics of Japan Asian Humanities Contemporary Politics of Asia Japanese Language University of Florida www.ufl.edu East Asian Languages and Literature Asian Studies Modem Japan Japanese Culture Japanese Language and Literature classes Asian Politics University of North Florida www.unf.edu Minor in Asian Studies, Department of History, Philosophy and Religious Studies Japanese Civilization Asian Religions Asian Art, Culture Japanese Language and Literature Intro to Asia University of South Florida www.usf.edu Asian Studies Certificate, College of Arts & Sciences Humanities in the Orient: Japan Buddhism in China, Japan, Tibet Japanese Language Culture of the East and West Japan Today University of West Florida www.uwf.edu Japanese Culture Philosophies of the East Japanese Language Private Universities: Barry University www.barry.edu History of Asian Civilizations Bethune-Cookman University www.cookman.edu Modem Asian Studies Eckerd College www.eckerd.edu East Asian Studies Minor in East Asian Studies Japanese Language Gender/Sexuality in Asian Literature Contemporary Japanese Families Modem Japan Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Politics of Japan China, Japan and the US Religions of China and Japan Asian Theater Florida Southern University www.flsouthem.edu Comparative Politics of Asia Jacksonville University www.ju.edu Geography of Asia Asian Philosophy Asian Religion Lynn University www.lvnn.edu Politics of Japan Nova Southeastern University www.nova.edu Asian History Ringling School of Art and Design www.rsad.edu Japanese Art & Culture Religious Cultures of Asia Rollins College www.rollins.edu Minor in Asian Studies, College of Arts and Sciences Cultures of Japan Political Economy of Japan East Asian Politics Modern Japanese History Asian Religions Asian Business Environment Saint Leo University www.saintleo.edu Far Eastern Civilization St. Thomas University www.stu.edu Asian International Business Environment University of Miami www.miami.edu Japanese Language Development of Asian Civilization Asian Art University of Tampa www.ut.edu Modern Far East Japan's Modern Centuries Eastern Thought Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art Need-Based and Asset-Based Community References Kretzmann, J.P., McKnight, J.L. (1993). Building Communities From the Inside Out: A Path Toward Finding and Mobilizing a Community's Assets. ACTA Publications. Chicago, IL. Pinkett, R. (2003). "Community Technology and Community Building: Early Results from the Creating Community Connections Project." The Information Society 19 (5): 365-379. Gaved, M., Anderson, B. (2006). "The Impact of Local ICT Initiatives on Social Capital and Quality of Life." C h,/uI, ,a Working Paper 2006-6. Colchester, University of Essex. Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art The Helios questionnaire facilitates data gathering so as to be able to develop a comprehensive overview of Asian collections in Florida. Please provide information regarding: Total Asian works in collection: Countries represented: Date Range: Paintings/works on paper: Sculptures: Objects: Textiles: Books: Others: What percentage of the entire collection do Asian works comprise? Is there a permanent dedicated gallery space/exhibition for Asian works from the collection? Percentage of works in collection that is professionally photographed and ready for online usage: Visitors per year to collection: Online visitors per year: List of past and upcoming publications related to Asian works in the collections: List of past and upcoming exhibitions related to Asian works in the collections: List of educational partners (K-12; university/college) and activities: What database management system does the collection use (TMS; ARGUS)? Is the entire collection accessible online? Does the collection use eMuseum? Other software? Are library holdings available to the public? If so, how many volumes? Helios: Connecting Florida's Asian Collections University of Florida/Ham Museum of Art LAMs (libraries, archives, and museums) references: Ham Museum of Art (2008). IMLS Digitization Grant, http://www.uflib.ufl.edu/ufdc/?b=UF00087447 Johns Hopkins University Sheridan Libraries (October 2, 2009). "Sheridan Libraries Awarded $20 Million Grant," press release: http://releases.jhu.edu/2009/10/02/sheridan-libraries-awarded-20-million-grant/ Parry, Marc (September 28, 2009). "After Losing Users in Catalogs, Libraries Find Better Search Software" Chronicle of Higher Education, http://chronicle.com/article/After-Losing-Users-in/48588/ Waibel, Gtinter and Rick Erway (2010). "Think Global, Act Local Library, Archive and Museum Collaboration" (pre-print version of a paper forthcoming in Museum Management and Curatorship): http://www.oclc.org/research/publications/library/2009/waibel-erway-mmc.pdf Waite-Franzen, Ellen; Stephen McAllister; Jeffrey Horrell; Paolo Mangiafico; Deborah Jakubs; Molly Tamarkin (2009). "Forging Ahead with Institutional Digital Information Strategies," http://www.cni.org/tfms/2009b.fall/Abstracts/Handouts/CNI Forging Mangiafico.pdf Project update for Dartmouth and Duke campus-wide digital information plans, funded by the Andrew Mellon Foundation. Other references: University of Florida Digital Collections, http://www.uflib.ufl.edu/ufdc Norris, Chris. "It's Not the Size of the Online Collection" MUSEUM (January/February 2010) http://www.aam- us.org/oubs/mn/onlinecollection.cfm FAM FLORIDA ASSOCIATION OF MUSEUMS tough education and advocacy - Post Office Box 10951 Tallahassee, FL 32302-2951 (850) 222-6028 phone (850) 222-6112 fax fam@flamuseums.org www.flamuseums.org January 21, 2010 National Leadership Grants for Museums Office of Museum Services Institute of Museum and Library Services 1800 M Street, NW, 9th Floor Washington, DC 20036-5802 Dear Review Panelist, Please accept this letter of support for the Samuel P. Harn Museum of Art's planning grant application. Having reviewed the concept of the grant along with seeing the number of members participating from the Florida Association of Museums (FAM), I agree that there is much work to be done to eliminate some of the major barriers for us to share information about Asian holdings in Florida. Knowing more about Asian collections in the state is the first step to building collaborative projects that will ultimately benefit museum visitors who are residents and tourists of Florida. The eventual development of a statewide digital portal will further advance access to these important but hidden assets and bring connections to these objectives that have yet to be imagined. This project will contribute and support the current FAM IMLS funded statewide Connecting to Collections project and will assist in connecting collections with Florida's diverse audiences. Thank you for this opportunity to endorse this planning grant application. Respectfully, Malinda J. Horton Executive Director U FS UNIVERSITY of UF FLORIDA College of Liberal Arts & Sciences Department of Languages, Literatures & Cultures PO Box 115565 Gainesville, FL 32611-5565 352-392-2422 352-392-1443 Fax January 22, 2010 National Leadership Grants for Museums Office of Museum Services Institute of Museum and Library Services 1800 M Street, NW, 9th Floor Washington, DC 20036-5802 Dear Review Panelist, Please accept this letter of support for the Samuel P. Harn Museum of Art's planning grant application. I have collaborated with the grant project lead, Jason Steuber, to bring students in my Japanese Folklore course to the Ham Museum to view examples of 19th century Japanese woodblock prints from a series containing ghosts and historical figures found in Japanese tales. The Ham staff kindly provided ample viewing space for students to observe and study these prints close at hand. Following the viewing, students were charged with making group presentations on the subject matter and aesthetics of their assigned print, and to translate the explanatory material in Japanese written in the cartouche. Apart from a single example here and there, the prints have not been subject to previous academic study or presentation, making this assignment quite challenging, but rewarding, for our students. Last summer, I also brought students from my course on Japanese Culture to the Harn Museum to select from any Japan object on display and work in groups to make a presentation on its genre and subject matter background to the class. Students were able to select from a wide variety of media, including prints, ceramic ware, photographs, sculpture, and kimono, from the ancient past to the contemporary. The Harn staff were very helpful in directing students to print and other resources for background information on their objects. Museum visits such as these provide unique learning opportunities for students of Asian languages and cultures to make the connections between aesthetic paradigms, narrative images, language, and works of art. I support the goal of the Asian art portal since access online will ensure educational opportunities for our majors in Japanese language and literature, as well as countless others across many disciplines. I have found that quite a bit of web investigation is required in order to obtain any information online about particular genres, and works of Japanese art. Students with initiative can be quite creative in their searches, and often hit on interesting information, but many students simply do not know how to search effectively. A portal on Asian art would be of enormous benefit in providing a gateway point for students. I would also like to commend the project lead, Jason Steuber, whose commitment to excellence in exhibition work, and enthusiasm for Asian art, have been a tremendous asset to the Harn Museum. He is the ideal person to lead this sort of initiative. The Foundation for The Gator Nation An Equal Opportunity Institution U Ff UNIVERSITY of U FFLORIDA Helios: Connecting Florida's Asian Collections planning project will provide an important resource for teachers and professors in Florida. Sincerely, Ann Wehmeyer Associate Professor of Japanese and Linguistics The Foundation for The Gator Nation An Equal Opportunity Institution UF UNIVERSITY of U IFLORIDA College of Liberal Arts & Sciences 107 Anderson Hall Department of Religion PO Box 117410 Gainesville, FL 32611-7410 352-392-1625 352-392-7395 Fax January 22, 2010 National Leadership Grants for Museums Office of Museum Services Institute of Museum and Library Services 1800 M Street, NW, 9th Floor Washington, DC 20036-5802 Dear Members of the Review Panel: On behalf of the Department of Religion and the Center for the study of Hindu Traditions (CHiTra) at the University of Florida, I would like to convey my most enthusiastic support for the Samuel P. Ham Museum of Art's planning grant application entitled Helios: Connecting Florida's Asian Collections. I have collaborated with the grant project lead, Jason Steuber, to bring students of Religion to the Ham Museum every semester. Starting this semester, we will be bringing large numbers of students in an interdisciplinary Humanities course to the Ham Museum. While the academic study of Religion in the west has historically been biblio- centered, there has been increasing focus on "material culture" in understanding religious culture. The Ham-and other museums in Florida-have an abundance of riches in their Asian collections which are invaluable in my courses. I bring my students almost every semester to look at specific art objects in the Ham. This semester I will be getting two classes-students from Intro to World Religions and the interdisciplinary Humanities course, "What is the Good Life?" Jason Steuber is curating a special exhibit with Indian, Chinese, Korean, and Japanese art specially for this course. The visual arts are absolutely integral to our education and we in Religion use our museum resources extensively. The Asian Collection at the Ham Museum will be an The Foundation for The Gator Nation An Equal Opportunity Institution integral part of an important course that we will be teaching at the University of Florida over the next few years. In 2010-2011, we anticipate about 1200 students from a single Humanities course to see the Asian Collection. As this number increases in the following years, it would be invaluable to have this collection as well as those of other museums in Florida digitized. Thanking you for your consideration of this most important project, Sincerely yours, Vasudha Narayanan Distinguished Professor and Chair, Religion Director, Center for the Study of Hindu Traditions (CHiTra) at UF University of Florida |